How To Sing Like Your Favorite Artist pt2
Hello, and welcome. I'm Ryan Higa, professional singer and vocalstiloligerizerist. You might remember me from How To Sing Like Your Favorite Artist part 1. Well this one's completely different. It's not as good. With that being said, welcome to How To Sing Like Your Favorite Artist part 2. Remember that scary movie quot;The Grudgequot;é Make the sound that the little girl in quot;The Grudgequot; makes.
(groaning) Just sing like you normally would sing. â™ª When I met you in the summer! â™ª .and add the little Grudge girl sound. â™ª When I met you in the summer. â™ª â™ª To my heartbeat sound. â™ª â™ª We fell in love. â™ª â™ª As the leaves turned brown. â™ª
grunting noises In order to sound like The Weekend, you have to literally make your face frozen to the point where it's numb and you can't feel it anymore. â™ª I can't feel my face when I'm with you. â™ª And once you get the frozen face down, all you have to do is act like you're sad and depressed.
â™ª I'm just tryna get you out the friend zone. â™ª And if people can't hear you, just use a megaphone. â™ª I only call you when it's half past. â™ª In order to sound like Fetty Wap, just sing as if you just got hit in the nuts. Or for girls to relate, just make the sound you make when you cut wind. You know, when you get the wind knocked out of you, you make the sound that's like stressed inhale and then just sing like that. Fetty Wap.
Auuugh! â™ª Baby won't you come my wayé â™ª grunting You know when you're yawning and you still try to talk; that sound it makesé yawning All you have to do is sing, while you yawn. yawning â™ª You and me we made a vow. â™ª
â™ª You say I'm crazy. â™ª â™ª And you don't think. â™ª laughing You know when you're a little kid where you're on the verge of crying but you do your best to try and suck it upé You know, the borderline where you're trying to fight back your tears, because you know once you start crying, you're not gonna be able to stop.
Singing Lessons For Beginners Learn How To Sing For Beginners Ken Tamplin Vocal Academy
Singing Lessons for Beginners. So you want to learn how to sing, or you want to start to learn how to sing. Well, I want to help you on your journey to understand some of the most basic, fundamental, andrudimentary things that takes a basic, or nonsinger into a decent singer, or even a great singer.And these are nonnegotiables, these are things that we all have to do, no matter what levelof singing we are, these are things that really help us on our journey for singing.So the very, very first thing is: Pitch. Now I want to talk about breath support and vowelplacement, and we'll get into some of that, but pitch. can you carry any kind of a tuneéYou know, can you sing quot;Happy Birthdayquot; or
can you sing a simple nursery rhymeé That'skey, and then, basically holding that pitch will help us determine how well you're goingto be able to translate this and grow quickly on your journey for singing. So I'm goingto take us through some simple scales and I'm going to do a male version and a femaleversion, so hang in there, I'll do the girls second, but the basic things are this: Thefirst thing is posture. We want to sit up straight. We don't want to get our spine tippedin any direction. We don't want to look up at the ceiling when we're going for high notes,or look down. We want to have a good command of our breath. Alright, so I'm going to havesome scales and I'm going to have you match
the tone of the scale with a very, very simplearpeggio, which is just a threenote chord, and I'm going to go through these notes verysimply and show you how you can start your journey for singing. So we want to open upour mouth, quot;AH, AHquot; we're going to do the AH vowel, and there's several vowels thatyou have to work to build muscle memory so that this becomes second nature, but for starters,we're just going to build some simple muscle memory. We're going to take a breath from our belly,from our abdomen, not from our chest like this. We want to take a breath from our belly,as best as we can, and then I have a whole section on diaphragmatic breathing on my websiteso if you're interested, I have all this in
my singing course called quot;How To Sing BetterThan Anyone Elsequot;. So, to get started, I'm going to do the meanaverage of the male voice, which is the baritone, or high baritone register, so we're goingto start with an AH vowel, and we're going to do something very simple. We're just goingto go quot;Lah, ah, ah, ahhh, ah, ah, ahhhhh.quot; And what we want, is we want to match that tone,so try to match the tone with me. quot;Lahhhhhhhhhhhhquot;. Andif you can, Open Up the Back of your Throat as wide as possible, that's comfortable, andtry to hear that nice, bright Ping. AHH, it's not uuuu, o uhhhh. righté It's AHHH!Lah, ah, ah, AHHH, ah, ah, ahhhhh. we're
going to move up the scale. Lah, ah, ah,ahh, ah, ah, ahhh. and we'll move it up a little higher. Try to match the tone.Lah, ah, ah, ahh, ah, ah, ahhhh. Remember to take your breath. The breath is very important.It's the engine that drives your car for singing, so take your breath, Lah, ah, ah, ahhh, ah,ah, ahhh. Now this brightness and this tone is actually the only true sound that reallygrows the voice. So it keeps us from strictures in the back of the throat, so it's not uh,uh, uh, uh, uh. (froggy voice sound) . and getting, choking on our vowel sounds, gettingcaught on the cord in the vowel, so let's continue.Lah, ah, ah, ahhh, ah, ah, ahhh.
Now what you want to do is try to match thistriad or this threenote chord that I'm singing in order to be able to get into that pitchand really use your stomach to do it, so I want you to take a breath between each oneof these phrases that we're singing. Then I want you to totally relax, and then I wantyou to keep that throat open every time you go to sing one of these scales, so it actuallycan start to develop this good, open throat technique, for on your journey to begin, forlearning how to sing. So, Ladies, the same is true for you.Now girls, you usually blow a lot more air than guys, so your challenge is to, insteadof going. and I'll start where a mean average
Still Loving You The Scorpions Cover Ken Tamplin Vocal Academy
Hey guys, welcome back again to Ken TamplinVocal Academy, where the proof is in the singing! Today we're going to take on another epic,classic piece. The band is The Scorpions, and the song is called Still Loving You, andthe lead vocalist's name is Klaus Meine. Now, Klaus is German, and he uses a lot of Germanlanguage retranslated into English, so there's some vowel stuff there. I'm going to singit like Ken Tamplin, with some of his influence. We'll do it first, talk about it after.Here we go. Okay. Soâ€¦ Great, by the way, awesomesong. These guys turn out a lot of hits. Klaus Meine is still out there killing it, to thisday, so he's one of the few people that have
escaped that whole 80s90s thing where a lotof those guys lost his voice. No, Clouse is still out there killing it to this day, sokudos to him, man! So, I'm not claiming to be awesome as Klaus. I just want tokind of break down some of this stuff that he's done, soâ€¦When I go â€œTime, it needs timeâ€� I'm being real bright on the sound. I'm usinga real bright timbre. I would say â€œTime, it needs time, baby!â€� I like more girthy,kind of lower register stuff, but he's not. He's real pointed in the sound. Now, otherpeople that use that sound would be guys like Don Dokken, or even Lou Gramm, or Stevie Wonder.Like there's a lot of people that use a
lot of nasality and a lot of frontal maskin the sound, but you know: â€œTo win back your love againâ€� he uses, like a â€œWehnback yah loveâ€� you know, or a â€œLove. Our lahv. Surely be thrown awehâ€� and again,remember I said I was going to talk about the translation from German into English.So, you know, here's a guyâ€¦ Kudos to him, man. He's German, and he's had a lot of successin music that he's represented his German language into English. So, he's trying tonegotiate these vowel sounds. I wouldn't be so harsh, on the vowels, or hard on them.I'd be, instead of â€œAnd surely be thrown aweeyâ€� I'd be â€œsurely be thrown awayâ€�â€¦I'd mellow out the sounds themselves.
Now, one real important thing about thisâ€¦By the way, if you like this tutorial, please Subscribe to My Channel. That would be awesome, so you can hear more of the tutorials that I have. But, I wouldn't have been able todo the last note, you know. quot;Need Your Love.quot; I wouldn't havebeen able to do that, because when you use too much nasality, or the Velonasal port in the sound, and mask in the sound. Whathappens is you inhibit range. And when you do that, you can't go up beyond certainnotes. So, I like to keep the sound more open. I come in from behind the note, and I dropdown on the note, and if I want to bring mask into the sound I can do that. Now, I coverall of this in my singing course,
How To Sing Better Than Anyone Else, you can go to Ken Tamplin Vocal Academy dot com, you can click here and get the information, which is awesome,and you can also check out my other stuff I have on YouTube, because as I walk you throughthis stepbystep you'll see there's a training process. I don't just walk up andsing this stuff. No, I have to train my vowels, and I have to train the timbre of the sound,and all that stuff, and diaphragmatic support. This takes a LOT of diaphragmatic support,in order to be able to do this stuff effectively, Okay guyséSo if you love what you heard, please subscribe, and we have more coming your way, and until next timeâ€¦ Peace. Out.