Ep 33 How to Sing Mix Part 1
How to sing mix, or how to sing with a mixis a very common question. Inside this tutorial, I'll define and demonstrate mix. Warning:normally I try to avoid this, but in this tutorial I get a little 'geeky' about singing.(Vocal geek) Hi, I'm Chuck Gilmore with Power To Sing. How to sing in a mix. Well, whatis a mixé A mix is a mixture or blend of at least two things. When singing, you're ina mix if you have a mixture of chest voice and head voice. Ahahah. If you sing onlywith chest voice, you have no mix. Ahhhh. If you start in chest and sing higher andbreak or flip into falsetto, you have no mix. Ahahah.because you've lost the connectionto your chest voice. If, when singing, you
bring falsetto down into the area of the chestvoice that is supposed to be chest, there is no mix. It's only falsetto. Ahahah. Amix can only exist if the vocal cords remain connected. If your vocal cords break intofalsetto and you do not reconnect, you have no mix. It's only falsetto. Ahahah. Mixis made with connected vocal cords and a blend of chest resonance and head resonance. Now,where is mix in the voiceé There are several schools of thought about when and where you'rein mix. Some define mix as only occurring in the vocal bridges, passaggi. When singingin chest voice, as you sing higher, and while keeping the vocal cords together, the resonancebegins to move higher from your chest into
your head cavities. The resonance splits sothere's a mixture, or a mix of both chest and head resonance. This split occurs in thebridge or passaggi. After getting through the first bridge the singer encounters a secondbridge and then a third bridge. For women, there are even more bridges. With each bridge,there is a blend of overtones from the register below and the register above. Lower overtonesdamping, or dropping out and higher overtones coming in. As a result of this process, manybelieve that mix is only occurring in the actual bridges. Some believe if the vocalcords remain connected while the resonance has split into both chest and head cavitiesthat mix is always present, both in and in
between the bridges. In other words, everythingis mix. At this point in my singing and teaching, I think it's a combination of these two. Pavarottiis reported to have said that singing was like a repeating figure 8. Seth Riggs concluded,and I believe like Seth, that Pavarotti was describing the repeated narrowing into thebridge and the opening into the new register and so on upward. In my opinion, if the vocalcords remain connected, there's always some chest residue, even if it's very slight. Soeven in the highest head voice, if the cords have remained connected, that seems like mixto me, even if it's 100 to 1, it's still a mix. At a certain point, if the cords remainconnected, does it really matter if we say
it's mix or connected super head voiceé Theproblem is, what happens to mix when you sing down below the first bridge into chesté Well,you could definitely bring mix down into the chest register. So, I understand how thatcan be mix, but in most voices, you can only do that so long before the chest voice takesover. How, then, can that be a mixé A third concept that has helpful for me, is 'maintainingthe verticalquot;.(Vocal Geek) This is mentioned in the book, quot;The Voice of the Mind', by E.HerbertCaesari. Imagine a vertical sound beam started by the vocal cords and shootingupward into the mouth. In head voice, this resonating sound beam, if it maintains thevertical direction, will angle slightly backward
and penetrate into the head cavities abovethe mouth. Ahhh. Ahahah. In chest, there is still a vertical sound beam, but it beginsto angle slightly forward and engage the hard palette. In my opinion, to lose the verticalwhile in chest voice, is to grab the vocal cord, squeeze and close the throat and jamthe sound beam down into the throat. Ahahah.Ahhh. The tone can barely escape and has no roundness,no fullness and no appeal. To me, this is not mix. Maintaining the vertical, even ifcompletely in the lower chest voice, creates an upward lift in the tone. The sound beamresonates on the hard palette appropriately. This seems to recruit more than just chestvoice by adding a rounder, fuller tone, as
Microsoft Word 2016 Full Tutorial for Beginners General Overview
lt;font color=quot;00FFFFquot;gt;Hello people, welcome to this tutorial! Let's see how to use lt;bgt;Microsoft Word 2016lt;bgt;lt;fontgt; lt;font color=quot;00FFFFquot;gt;quickly and easily!lt;fontgt; lt;font color=quot;FFFF00quot;gt;Leave us feedback to improve our future tutorialguides!lt;fontgt; lt;bgt;Microsoft Wordlt;bgt; is a software used to manage lt;bgt;textlt;bgt;, in order to create lt;bgt;documentslt;bgt;, lt;bgt;advertisementslt;bgt;, lt;bgt;flyerslt;bgt; and so on. When you open it, a lt;bgt;startup windowlt;bgt; appears. Here you can choose a ready lt;bgt;templatelt;bgt; to use. If you want to start from scratch, just click on lt;bgt;Blank documentlt;bgt;. A lt;bgt;Word documentlt;bgt; can be seen as a group of sheets of paper where you type in.
In the lt;bgt;Home sectionlt;bgt; on top, choose the font style, size, properties and color. These properties will be applied on the new words you type. To change properties on existing text, just select it and use the lt;bgt;Home sectionlt;bgt;, or the lt;bgt;dialog boxlt;bgt; that appears above. For more advanced text properties, just rightclick and go to lt;bgt;Font.lt;bgt; You can select text precisely holding your click and dragging, or lt;igt;holding Shiftlt;igt; lt;igt;downlt;igt; and use your lt;igt;Left and Right Arrow keyslt;igt;. If you doubleclick, you will select an entire word instead. If you want to select one or more text lines,
just click on the extreme left and drag up or down, when the pointer becomes a lt;bgt;mirrowed arrowlt;bgt;. You can lt;igt;cutlt;igt;, lt;igt;copylt;igt; and lt;igt;pastelt;igt; selected text rightclicking on it. The piece of text cut or copied is pasted starting from where the pointer is. You can use copy and paste to lt;igt;importlt;igt; inside Word text coming from other sources. If you ever mistake, remember to use lt;bgt;Undolt;bgt; in the top left corner, or simply press lt;igt;CTRL+Zlt;igt;. If you ever need to lt;bgt;zoomlt;bgt;, just lt;igt;hold CTRL downlt;igt; and use your mouse wheel.
You may notice also lt;bgt;wavyunderlined textlt;bgt;. This happens when you make mistakes in lt;bgt;grammarlt;bgt;, lt;bgt;spellinglt;bgt; or lt;bgt;punctuationlt;bgt;, according to the lt;bgt;language Dictionarylt;bgt; chosen at the very bottom. In some cases, Word corrects the mistake automatically, using the lt;bgt;AutoCorrect toollt;bgt;. When it doesn't, this line appears under the text. In this case, if you rightclick on it, you can choose some lt;bgt;suggestionslt;bgt; to to correct the mistake. Mind that lt;igt;those lines won't be printed in your finallt;igt; lt;igt;document.lt;igt; You can hide those anyway rightclicking and going to lt;bgt;Ignore Alllt;bgt;. While creating a text document you must set the lt;bgt;Page Layoutlt;bgt;, which is the way
the text must spread and be distributed. A text document is composed by different text lines, collected inside lt;bgt;text paragraphslt;bgt;. In short, lt;igt;you finish alt;igt; lt;igt;paragraph everytime you create a new line with Enter key.lt;igt; You can check each text paragraph enabling the lt;bgt;paragraph marklt;bgt; in the lt;bgt;Home sectionlt;bgt;. Each of these paragraphs can be managed in Word in a complete independent way. In the lt;bgt;Home sectionlt;bgt; above, under lt;bgt;Paragraphlt;bgt;, you can adjust the lt;bgt;paragraphlt;bgt; lt;bgt;allignmentlt;bgt;. This acts on the text paragraph selected or where your pointer is. You can also adjust the lt;bgt;Line Spacinglt;bgt; inside the paragraph, add any lt;bgt;Filllt;bgt; or
any lt;bgt;Borderlt;bgt;. To adjust the lt;bgt;indentationlt;bgt;, which is the extra uniform space added from the left to the paragraph respect to the rest of the text document, just use lt;bgt;Decreaselt;bgt; and lt;bgt;Increase Indentlt;bgt;. You can adjust lt;bgt;Indentlt;bgt; and lt;bgt;Line Spacinglt;bgt; also under lt;bgt;Layoutlt;bgt; lt;bgt;sectionlt;bgt;. Very important for the Layout is also the lt;bgt;Rulerlt;bgt;, on top and on the extreme left of your document. If you don't see it, just go to lt;bgt;Viewlt;bgt; and tick on lt;bgt;Rulerlt;bgt;. Each lt;bgt;Rulerlt;bgt; is composed by two main parts: dark ones, also called lt;bgt;Marginslt;bgt;, that
The Land Before Time 410 Movie CLIP Littlefoot Meets Ducky 1988 HD
Hello. I said hello. What is your nameé Maybe youcannot talk yet. Huhé Huhé Don't youknow anythingé Longnecksdon't talk to, uh, whatever you are.
Meé I'm a longneck too.Seeé And I have a longtail like you. lt;igt;All right.lt;igt; I'm not a longneck. I'm a bigmouth, but I am all alone. I am. I lost my family inthe big earthshake.
lt;igt;Um.lt;igt; you wantto go with meé Yeah! Oh. Oh, yes,yes, yes! I do, I do! All right. Come on. but you haveto keep up.
I will keep up.I will. Hums Where are we goingé To the great valley. I won't stop untilI find my grandparents. Do you think. my family wentto the greatvalley tooé Maybe.My mother said.
it's where allthe herds were going. Oh, I hope.I hope. My name's Littlefoot. Mine is Ducky. Yep, that iswhat it is. Hmm, hmmhmm, hmm, hmm Dee, DeeDeedoodoo Doodoodadadadoo
Da, Dee, Deedoodoo Dada, Dee, Deedoodoo Dee, DeeDeedada, Dee Deedoodoodoodoodooda Don't step on a crack, or you'll falland break your back.