Vocal Lesson Nyc

How To Sing Like Your Favorite Artist pt2

Hello, and welcome. I'm Ryan Higa, professional singer and vocalstiloligerizerist. You might remember me from How To Sing Like Your Favorite Artist part 1. Well this one's completely different. It's not as good. With that being said, welcome to How To Sing Like Your Favorite Artist part 2. Remember that scary movie quot;The Grudgequot;é Make the sound that the little girl in quot;The Grudgequot; makes.

(groaning) Just sing like you normally would sing. ♪ When I met you in the summer! ♪ .and add the little Grudge girl sound. ♪ When I met you in the summer. ♪ ♪ To my heartbeat sound. ♪ ♪ We fell in love. ♪ ♪ As the leaves turned brown. ♪

grunting noises In order to sound like The Weekend, you have to literally make your face frozen to the point where it's numb and you can't feel it anymore. ♪ I can't feel my face when I'm with you. ♪ And once you get the frozen face down, all you have to do is act like you're sad and depressed.

♪ I'm just tryna get you out the friend zone. ♪ And if people can't hear you, just use a megaphone. ♪ I only call you when it's half past. ♪ In order to sound like Fetty Wap, just sing as if you just got hit in the nuts. Or for girls to relate, just make the sound you make when you cut wind. You know, when you get the wind knocked out of you, you make the sound that's like stressed inhale and then just sing like that. Fetty Wap.

Auuugh! ♪ Baby won't you come my wayé ♪ grunting You know when you're yawning and you still try to talk; that sound it makesé yawning All you have to do is sing, while you yawn. yawning ♪ You and me we made a vow. ♪

♪ You say I'm crazy. ♪ ♪ And you don't think. ♪ laughing You know when you're a little kid where you're on the verge of crying but you do your best to try and suck it upé You know, the borderline where you're trying to fight back your tears, because you know once you start crying, you're not gonna be able to stop.

Ep 1 4 Breathing Types Voice Lessons To The World

Hi everybody! My name is Justin Stoneyand I'm the founder of New York Vocal Coaching here in New York City. Welcome to the very first episode ofVoice Lessons to the World. This is a show where we want to help you as singers to answer your questions and helpyou have the most information possible about vocal technique and how you canimprove. Whether you're a beginner or professional singer, whether you'repreparing for auditions

or for a performance, We want you to have the best information. I'll give you a chance later to send ussome questions, but we want to help you to improve your vocaltechnique and accomplish your goals as singers. So our very first episode is called quot;FourBreathing Typesquot;. Today I'm going to talk to you about fourbreathing types that you see in life and you also see in singers. So thevery first one is a high breath or a clavicular breath. So go ahead and take a deep

breath for me, and exhale. Now with a high breath you're gonna seethe clavicle and the upper body lift on the inhale and then exhale it comes down, try that one more timeinhale and exhale. Now you see this breath a lot in life and sometimes in singers, butit's actually not a breath that I would recommend

because its going to really expel the air fast and hard what comes up (inhales) must comedown (exhales) and you don't have a lot of control and thenthe larynx has to deal with all that excessive airflow. So there's another breath: the abdominalor belly breath that you can use. Try this, hand on belly inhale you feel an expansion exhale it comes in. Try it again. Inhale

expand and exhale it comes in. And one more time (don't lift the chest) inhale and exhale it comes in. Now this is a breath that Irecommend because the depth of that breath is going to allow the diaphragm to contract more. And it's also going to give yougreater control over your exhale. Another breath that I recommend is therib or intercostal breath. So put your hands on your rib cage righthere and try and inhale you'll feel an expansion exhale it comesin.

Try that again inhale expand exhale itcomes in and we'll do it one more time. Try not to lift the chest. And inhale exhale it comes in. So this is another breath that gives you a lotof control from the lower body for your singing. What I actually recommend though is acombination of both your rib breath and your low breath. So go ahead, one hand on your ribs one hand on belly let's see if you canopen both of these.

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