Vocal Instructor Singapore

How To Sing Good 3 Easy Tips For How To Sing Good

Hi there. Aaron here from Superior SingingMethod and in this tutorial, I want to talk about how to sing good. OK. How to sing good. The ironic thing aboutthe statement how to sing good is it is bad grammar. So let me just get that out of theway first. How to sing well, yeah, that's better grammar. So this is not a grammar lesson.This is actually a singing lesson so let's jump into that. How to sing well, how to sing good. Firstof all, at the end of this, I want to give you a good vocal exercise that will help youto be able to sing well and it's one of my

favorite ones. It's a good warmup exercisethat will kind of get you going in the morning as well. It's the only one you do. It's agood one to start with. So how do you sing wellé What are the different things that ittakes to learn how to do thaté First of all, understanding the voice. Thereare two probably yeah, three main things I think. It's like understanding the voice,learning proper technique and doing vocal exercise. So last one I'm going to give youis that vocal exercise. So understanding the voice, what does that meané Things like nasality. A lot of people whenthey sing, they sing and it just sounds kind

of like this. It sounds nasally and nasallydoesn't come across. It doesn't sound very good and nobody really wants to hear a nasallysinger. So understanding the voices, understandinghow to for example, it would be how to get rid of the nasality in your voice and it couldbe a lot of things but mostly it's probably the soft palate and I won't go too much intoit now. But soft palate is just beyond the hard palate which is the roof of your mouth.Soft is set behind there and usually nasally means soft palate is down too low. So understanding the voice, understandingthat the voice is a delicate instrument, understanding

that when you yell and you're like tryingto belt a note, like that, that puts a lot of strain on your voice and doesn't soundgood with tone but it also can hurt your voice. So just understanding those there is a lotof things to understand about the voice. These are just a couple of examples. The second thing is learning proper technique.Proper technique is things like learning how to breathe from your diaphragm. Breathingfrom your diaphragm is taking a just to give you a little, tiny glimpse of what it is,it's basically having proper posture, taking that complete breath and allowing your diaphragmto descend, creating space for your lungs

to be able to expand and your stomach cavityand as you sing, the tendency is to let your chest kind of collapse, to fall like that.But instead of doing that, keeping your chest nice and high, like kind of just like I amnow, not super high. Those are some of the basics of learning howto diaphragm breathe. So that's learning the proper techniques and there are a lot of techniquesof learning how to sing but that was just one example. So it's understanding the voice, learningproper technique and then doing vocal warmups. Vocal warmups are important because yourvoice is made of muscle and cartilage and

you need to build up those muscles to be ableto manipulate the notes the way you want to and to be able to sing all the things youneed to sing and know what your voice is going to do when. You need to strengthen those musclesso that they respond the way that you want them to respond when you're singing, rightéRight. So let's get to the voice exercise. This isa good one. It's one of my favorites as like a morning exercise. It's going to be Zs, Zs,We're going to do Zs on just basically five notes descending. So it's going to be vocalexercise. I started a little low. I will start a little higher. vocal exercise Dothat with me. vocal exercise And then you

How To Sing Vibrato Tips To Learn How To Sing With Vibrato

Hi. Aaron here from HowtoSing and I wantto talk to you about how to sing vibrato. What is it first of allé Vibrato is basicallyan oscillation between two pitches. So it oscillates and just basically going back andforth between two pitches at a pretty high rate. In fact the six oscillations per secondis actually right around where you want it because otherwise, you have what's calleda wobble when you go too slow. It's like demonstrates the wobble and then if you go too fast, it'smore like a machine gun. It's like demonstrates fast oscillation. You don't want that either. So it's somewhere kind of right in betweenthere. How do you do ité I think the best

way to do it is actually through mimickingother things but let me just say first of all that less is more with vibrato once youdo get it. I think that less is certainly more depending on what style of music youdo obviously. With opera and classical music, there's alot more. It's a lot more pronounced and it's like on every syllable practically and that'sfine but with my more like pop and top 40 and even RB and a lot of the styles thatI'm guessing you would be more interested in singing, less is more. It's more of anaccent. It's more of a coloring than anything else that I think what sounds good.

So it happens when you have relaxed chordsfirst of all. So a big part of it is just relaxing your voice. It is part of a naturaloverflow of a healthy voice but it doesn't mean it necessarily just comes naturally.It is something that you can control but when you try to control it too much, when you tryto force it, that's when you get kind of the wobble or the 0:01:36 Indiscernible. Itis not a bouncing in the stomach that breathes rapidly something like that although thatcan be a way to begin to transition into an actual vibrato which is what I mean when Isay kind of the mimicking. If you've mimicked say like a car starting,like mimics car engine, a car that won't

start very well mimics car engine, you cankind of actually when you mimic that, you get your voice in a way that it begins toget the feeling of the oscillation. Even though that's not necessarily vibrato, it kind ofstarts creating some muscle memory of how to actually do vibrato. Another one from a car starting is also likemimicking when kids like mimic a ghost, they're like, Whooo, kind of that sound. It's actuallya good beginning to start to learn vibrato too, so through mimicking these things; evenmimicking opera. I remember when I was a kid, I didn't understand opera so I would mimicand go like, Ooohhh! whatever and after all

that mimicry, you could actually begin todevelop an authentic vibrato. So hopefully that helps, some tips to kindof get you around in that direction. I think even like a real kind of subtle vibrato Ithink is kind of best anyway. It's not just like big and pronounced but just like, Aaahhh,something like kind of just slipping within there. I think it's really good. Anyway, I'm at HowtoSing . As I said, thelink is actually right below and there's a lot of other tips and tricks in there anda lot of free articles and just good information that could help you out. If you want to come,click over there and check me out. I also

put up a tutorial about how to sing high notes.It's about a 10minute tutorial, kind of packed with information on how to sing high notesbut how to specifically sing high notes without strain which is really the problem with highnotes. So go ahead and click on the link below orcheck me out at HowtoSing and I will see you there.

Ep 9 Youre Not Tone Deaf Voice Lessons To The World

Hi everybody. My name is Justin Stoney. I'm the founder of New York Vocal Coaching here in New York City. Welcome to Episode 9 of Voice Lessons to the World. The show we want to help you guys as singers by answering yourquestions from all over the world. I'll give you a chance to ask questionslater, but first we've got our question for the week from Amanda B. in Houston, Texas.And Amanda says, quot;Dear Justin, I'd love to sing but I've always beentold I'm tone deaf.

Is there any hope for meéquot; Well Amanda, thank you for that question. I'm glad youasked that question and I think probably a lot of people out there would love toknow the answer to this question. There's so much mythology surroundingtone deafness and so many people think that their tone deaf and it's preventinga lot of potential singers and people that love to sing, just like yourself,from singing because they think they're tone deaf. So the first thing I'll talk about is, istone deafness realé And the answer to that is, yes. Tonedeafness is actually real.

There is a condition, it's called, quot;amusia,quot; which means not musical. It's a cognitive disorder, though. It's caused by brain damage sometimes it can be genetic. But sometimes it can be caused by abrain injury. But this is so rare and the amount of people that say, quot;oh I'm tonedeaf. oh I can't sing. oh no don't ask me tosing I'm tone deaf.quot; the amount of people that say that, isvery high. But the amount of people who are actually tonedeaf, is very low. So inmy experience I've worked with thousands of singers, and I've been invoice land all my life.

I have literally never met aperson who is actually tone deaf. I've had plenty of singers come to methinking that they were tonedeaf, but I've never ever seen it. So why are all these singers andprobably yourself included, I can't guarantee it but i imagine that you'reactually one of these singers who is quoteunquote tone deaf and not actuallytone deaf, whyé Why are all these singers thinkingthat they're tone deafé My thoughts on this is that it'sactually due to something in the mind,

and then something in the mechanics oftentimes when people are young, theyhave a joy for singing and they just sing very naturally. But so many peoplereport at some point being told, quot;Well you can't sing. You're off pitch. Oh you should stop singing. Uh why don'tyou quiet that down.quot; And they start to develop a fear. And singing is a veryvulnerable thing anyway. So if you've been told that you're offpitch, you've been told that you sound bad, then you start to have fear andhesitation built into the voice.

This fear and this hesitation causes you to under do the sound, and that often causes you to be flat. So then, your experience with singing, istrying really hard and being flat, and then being told you're wrong, and thentrying really hard being flat being told you wrong and a vicious cycle starts,where the mechanics start to respond to the mind, and the hesitation and the fearand the mechanics all get wrapped up into one. So your voice starts to behaveas though its tone deaf. It starts to behave where it can'tactually stay on pitch. But it's not that you can't hear it. Most people can hear just fine.

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