Ultimate Voice Training For Singers Review

How To Sing Like Your Favorite Artist pt2

Hello, and welcome. I'm Ryan Higa, professional singer and vocalstiloligerizerist. You might remember me from How To Sing Like Your Favorite Artist part 1. Well this one's completely different. It's not as good. With that being said, welcome to How To Sing Like Your Favorite Artist part 2. Remember that scary movie quot;The Grudgequot;é Make the sound that the little girl in quot;The Grudgequot; makes.

(groaning) Just sing like you normally would sing. ♪ When I met you in the summer! ♪ .and add the little Grudge girl sound. ♪ When I met you in the summer. ♪ ♪ To my heartbeat sound. ♪ ♪ We fell in love. ♪ ♪ As the leaves turned brown. ♪

grunting noises In order to sound like The Weekend, you have to literally make your face frozen to the point where it's numb and you can't feel it anymore. ♪ I can't feel my face when I'm with you. ♪ And once you get the frozen face down, all you have to do is act like you're sad and depressed.

♪ I'm just tryna get you out the friend zone. ♪ And if people can't hear you, just use a megaphone. ♪ I only call you when it's half past. ♪ In order to sound like Fetty Wap, just sing as if you just got hit in the nuts. Or for girls to relate, just make the sound you make when you cut wind. You know, when you get the wind knocked out of you, you make the sound that's like stressed inhale and then just sing like that. Fetty Wap.

Auuugh! ♪ Baby won't you come my wayé ♪ grunting You know when you're yawning and you still try to talk; that sound it makesé yawning All you have to do is sing, while you yawn. yawning ♪ You and me we made a vow. ♪

♪ You say I'm crazy. ♪ ♪ And you don't think. ♪ laughing You know when you're a little kid where you're on the verge of crying but you do your best to try and suck it upé You know, the borderline where you're trying to fight back your tears, because you know once you start crying, you're not gonna be able to stop.

Building Pharyngeal Resonance Vocal Training on Building Pharyngeal Resonance

Hi. My name is Aaron from Superior SingingMethod and in this tutorial, I want to talk about building pharyngeal resonance. OK, building pharyngeal resonance. At theend of this tutorial, I want to give you my best technique for building pharyngeal resonance,best kind of exercise and technique to be able to begin to build that and get into that.But let's just talk a little bit about what it is and what the pharynx and for what whereall that kind of comes from and having the knowledge will help you to be able to workthe exercise and to really get the most benefit out of it.

So what is resonanceé Let's just talk aboutthat. Resonance is a deep, full, reverberating sound. It's basically exactly what you wantwith your singing. It's what everybody wants with their singing. You want this deep, full,kind of resonant, just this resonant I'm using a reverberating kind of like sound that isjust big and full as it comes out of these powerful singers. That's what you want. Youwant this full, resonant, reverberating type of sound. Now there's a myth that volume brings resonanceor that you have to have a lot of volume and push a lot of air through your vocal cordsin order to get a big sound and a full resonant

sound, but that's actually not true. In fact, too much volume will just make youthe air blow through your vocal cords and flip into falsetto and that's how you crackand all those cracks and breaks especially in your higher range. Now adding some weight to a good techniquetype of sound is good and that will allow you a bigger sound. But resonance, the thingabout resonance is that it reverberates and bounces off your resonators in such a waythat it just comes out big and full without you having to force it out or try and makeall this volume come out.

So that's what's so important about the pharyngealresonance because your two primary resonators, you have your chest and your head. So thoseare your two registers, so your chest register and your head register. But they're also yourtwo primary resonators as well. But the third resonator is your pharynx. Your pharynx isthat's where pharyngeal comes from. You may already know that but your pharynx is in theback of your throat, up and down on the back of your throat, your pharynx. You got yournasal pharynx. You got your oral pharynx and so on and so forth. So that's your pharynxback there and what happens is the sound as it comes up and you use that pharyngeal resonator,it bounces off the walls of your pharynx and

creates a bigger sound as it comes out ofyour mouth. Now you don't want to just sing with justthat pharyngeal sound. You want a blend, a good blend of your chest voice, your headvoice and your pharynx to get one big kind of one big sound, one big mixed sound andthe pharynx itself is one of the primary ways to establish a good, mixed voice, a good blended,full blended voice. So I want to give you the technique to helpyou get to that pharynx, that pharyngeal kind of sound and where it is and how you can useit. The NG sound, that ng. So that kind of brassy it's kind of a little bit of an annoying,whiny, kind of brassy, kind of sound. You're

obviously not going to sing like that. Infact you literally cannot sing like that because the ng consonant makes all the sound comeout of your nose but that sound is what you can add into your chest voice and your headvoice to get a good, good pharyngeal resonance and get a good sound coming out of your mouth. The nose, the sound coming out of your noseand that uh, that brassy sound, it's obviously not the sound, the only sound that you want.But there's an old Italian adage and some of the greatest singers were like Italianopera singers and all that and there's an old Italian adage that says, Don't sing throughyour nose but put some nose in your singing.

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