Singing Voice Cracking

How To Sing Like Your Favorite Artists

Welcome. I'm Ryan Higa Professional singer and vocal stiloligerizerist and today i'm gonna be teaching you how to sing like some of your favorite artists. As much as you think you can't sing or as much as you know you can YOU CANT YET but by the time you finish this tutorial with enough work and effort in ONE DAY you might be able to sound like. THIIIIIIIIIIIIIIIIIS!!!! Not one lesson (guitar music)

The first artist you're gonna learn how to sound like Think of every tough guy you've ever met with a big ass chain. Now double that! That's how tough you gotta be when you rap like 2 chainz Once you've got that down all you have to do is rap about all things that are plainly obvious She got a big booty so I call her quot;big bootyquot; Or a line like this I'm in the kitchen. Yams everywhere Or.

All I want for my birthday is a big booty ho Yes those are actual lyrics from his song quot;birthday songquot; But really once you perfect your 2 chainz you can do it with anything I like this lamp yo that's why i purchased this lamp I'm in the kitchen. Not anymore All i want for my birthday is a big booty hole Oh! Gotta poop Gotta poop right now

Jt like to sing high so the technique here is simple you just have to grab your nuts hard. hard as the can I (grabbing those nuts hard) can't wait till I get you on the floor good lookin. HOW! AH! To sound like Nikki Minaj is simple all you have to do is rap while you're slowly leaning back on an excersize ball I said quot;excuse me you're a hell of a guy. I mean mymumumy you're hell a fly I mean you're so shy and i love you to tie just look at the guy when I think of his eyequot; ugh! So you wanna sound like beyonce.

Probably can't. It's a natural god given talent Just try to sound overly sexy almost to the point where it sounds like you're gonna cry but you don't As long as you love me Just pretend you're a good looking British singer and duplicate yourself Everyone else but you two! Lets see I'm probably gonna need about one two three.four more people for this part so. (duplicates) You guys readyé Five six seven eight Remember that when you are feeling sad

Just sound really lazy like you don't even feel like rapping today STARTED FROM THE BOTTOM NOW WE HERE! Lazier! Much lazier than that! Started from the bottom now we're here! LAZIER! Started from the bottom now were here Look your alarm clock just woke you up at 6:00 am morning and now you have to go to school Started from the bottom now the whole team here

How To Stop Voice Cracking Now Singing Lessons Ken Tamplin Vocal Academy

Stop cracking when singing! How do we do thatéHey guys, my name is Ken Tamplin, from Ken Tamplin Vocal Academy, where the PROOF isin the SINGING! Now, wherever you get your information from,it's important to ask yourself two very specific questions. And the first thing is:the person giving you the information, can they demonstrate it themselves, and demonstrateit well, and do they have students that demonstrate what they're teaching to prove out that whatthey're telling you is the truthé Here at Ken Tamplin Vocal Academy we have over 300tutorials, with dozens of students demonstrating and proving out what we teach, to give you honest, legit information.

With that said, how do we not crack when wesingé Well, why do we crack when we singé I think that's the biggest, most importantquestion. And, to answer that, there's many reasons, but there's two big reasons, andthe first one is physiological. There is a physical strength training of building upto a certain point so that we're strong enough to be able to hold a note. There'sa second part too, which is psychological, which has to do with nerves, and being afraidto sing in front of someone, or being afraid of the high note.Now, I have a singing course called How To Sing Better Than Anyone Else, at Ken Tamplin Vocal Academy , where I walk you through,

stepbystep, all of these different things,on how to strength train, how to think about the notes psychologically so you're notafraid of the high notes or you're not afraid of an audience. I also have some cool tutorials.Check out my Fear of Singing tutorial, it's on YouTube, you'll like that.But the first thing is, I want you guys to go refer back to my tutorial called DiaphragmaticSupport. We're going to do a couple of scales here. I want you to do them with me, but youhave to know how to control your diaphragm first, to be able to relax the chest, and theneck, and the throat, so that you are not choking off the cord, and panicking by thetime you get there, whether you're holding

a note, or worried about singing a high note, or just a phrase that's a little hard to sing. We're going to do three vowels: ooh, oh, and ah. And it's going to go like this.Now, guys, I'm going to do this in a lower register, for the mean average of where mostguys are. Ladies, you'll do this up an octave. La ah ah ooh, oh, ah, ah, ah, ah…You want to feel the freedom in the throat and the strength in the abdomen, because youknow how to control abdominal strength. Now, in the back of the throat I have another componenttutorial that goes along with this, called Open Throat Technique, where you want to have theback of your throat stay completely open,

your tongue dropped to the base of the jaw:Aw, Oh, Ahhh… To where you create the maximum amount of space in the throat, to relieveany kind of tension that could take place there at all.La ah ah ooh, oh, ah, ah, ah, ah… Feel the strength coming from your diaphragm.It's the engine that drives your car. La ah ah ooh, oh, ah, ah, ah, ah…La ah ah ooh, oh, ah, ah, ah, ah… La ah ah ooh, oh, ah, ah, ah, ah…La ah ah ooh, oh, ah, ah, ah, ah… Now, if you notice, I'm not going “oohoh ah� (distorted and strained) I'm not straining in my throat, becauseI know, I've played this tutorial game enough

to know when I'm coming around the cornerand I lose a life from some bad guy that gets me, that if I have strength in my abdomen,and I've learned how to relax my chest, my neck, and my throat, I know how to getto the next level. So, I cover all of this in my singing course called How To Sing BetterThan Anyone Else. Now, there's one more really important thing,and that is the psychology of how we get to those notes. Now, there's something calledvowel modifications. And in those vowel modifications, we want the throat to feel the path of leastresistance. We don't want the throat to go ooh, oh, ah, and have big changes in thethroat. We want the vowels to be very similar

Ep 85 How to Sing Higher without Cracking or Breaking

How do you Sing Higher without Cracking orBreakingé This is one of the most embarrassing things that can happen when you sing. There's a specific cause for breaks andcracks and here's a great exercise to prevent it! This is a more advanced exercise. Hi! I'm Chuck Gilmore with Power To Sing. Have you ever tried to sing higher only tohave your voice crack and breaké It's frustrating in practice and embarrassing in a performance. What causes this to happené Here are severalreasons for a crack or a break.

The Larynx is rising. This causes the vocalcords to break apart. The chest voice is being pulled up. The addedtension and pressure will also cause the cords to break apart into falsetto.Swollen Vocal Cords from illness, menstruation, allergies, lack of sleep, vocal abuse or damage,reflux, dehydration, medications, etc. Under these conditions, the vocal cords, like asore muscle, become unstable and the larynx quickly goes up which causes the crack orbreak. Here's a great exercise that can help withthe high larynx, pulled chest and swollen cords.

Important: If you have vocal damage of anykind, a should be consulted before doing any vocal exercises. The exercise goes by various names such assqueaky door, sometimes I call it the puppy dog sound.It sounds like this. Demo Two factors make this effective. First, justthe outer edges of the vocal cords are used, so you don't want to jam it or press ittoo hard. Second, try to do this exercise without using any external neck muscles. Monitor yourself by putting your thumb underyour chin and gently press in. Now swallow.

Do you feel the muscles push your thumb outward.These are called digastric muscles. When these activate it pulls the larynx upward. Your job is to do this exercise without thosemuscles pushing against your thumb and raising the larynx. First start on a pitch in your chest and inflectthe voice upward like this. Start on a pitch in your chest voice and theninflect the voice upward. Practice doing it until you can do it withoutthe muscles pushing against your thumb. Don't do it hard or loud. Just enough to keep thevocal cords connected.

Once you're able to do that, move on tothis exercise. Using the squeaky door sound at medium volume, and placing your thumb underyour chin, do this scale. It's a 1 ½ scale. Men begin on the B2. Women begin on the F3.Both voices go up three half steps and back down. First do it staccato. Start with the men.Readyé Now the Ladies. Practice this until you can doit without the muscle pushing against your thumb. Then move on to this exercise. On thesame 1 ½ scale with a gallop. It sounds like this.Now men, the gallop.Now women, the gallop.

Once you are able to do that exercise withoutthe muscles kicking against your thumb, progress to this next exercise. It's a triplet, samescale. Demo Now men, the triplet. Now Women, the triplet. Progress to the next exerciseonce you're able to do it without the muscles pushing. This will isolate the vocal cords from theexternal muscles in the neck. This will retrain your neuromuscular system to produce yourtones at the vocal cord level without the extrinsic muscles raising the larynx. This is a great exercise for every vocal type.It:

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