Singing Theatre School

Ep 33 How to Sing Mix Part 1

How to sing mix, or how to sing with a mixis a very common question. Inside this tutorial, I'll define and demonstrate mix. Warning:normally I try to avoid this, but in this tutorial I get a little 'geeky' about singing.(Vocal geek) Hi, I'm Chuck Gilmore with Power To Sing. How to sing in a mix. Well, whatis a mixé A mix is a mixture or blend of at least two things. When singing, you're ina mix if you have a mixture of chest voice and head voice. Ahahah. If you sing onlywith chest voice, you have no mix. Ahhhh. If you start in chest and sing higher andbreak or flip into falsetto, you have no mix. Ahahah.because you've lost the connectionto your chest voice. If, when singing, you

bring falsetto down into the area of the chestvoice that is supposed to be chest, there is no mix. It's only falsetto. Ahahah. Amix can only exist if the vocal cords remain connected. If your vocal cords break intofalsetto and you do not reconnect, you have no mix. It's only falsetto. Ahahah. Mixis made with connected vocal cords and a blend of chest resonance and head resonance. Now,where is mix in the voiceé There are several schools of thought about when and where you'rein mix. Some define mix as only occurring in the vocal bridges, passaggi. When singingin chest voice, as you sing higher, and while keeping the vocal cords together, the resonancebegins to move higher from your chest into

your head cavities. The resonance splits sothere's a mixture, or a mix of both chest and head resonance. This split occurs in thebridge or passaggi. After getting through the first bridge the singer encounters a secondbridge and then a third bridge. For women, there are even more bridges. With each bridge,there is a blend of overtones from the register below and the register above. Lower overtonesdamping, or dropping out and higher overtones coming in. As a result of this process, manybelieve that mix is only occurring in the actual bridges. Some believe if the vocalcords remain connected while the resonance has split into both chest and head cavitiesthat mix is always present, both in and in

between the bridges. In other words, everythingis mix. At this point in my singing and teaching, I think it's a combination of these two. Pavarottiis reported to have said that singing was like a repeating figure 8. Seth Riggs concluded,and I believe like Seth, that Pavarotti was describing the repeated narrowing into thebridge and the opening into the new register and so on upward. In my opinion, if the vocalcords remain connected, there's always some chest residue, even if it's very slight. Soeven in the highest head voice, if the cords have remained connected, that seems like mixto me, even if it's 100 to 1, it's still a mix. At a certain point, if the cords remainconnected, does it really matter if we say

it's mix or connected super head voiceé Theproblem is, what happens to mix when you sing down below the first bridge into chesté Well,you could definitely bring mix down into the chest register. So, I understand how thatcan be mix, but in most voices, you can only do that so long before the chest voice takesover. How, then, can that be a mixé A third concept that has helpful for me, is 'maintainingthe verticalquot;.(Vocal Geek) This is mentioned in the book, quot;The Voice of the Mind', by E.HerbertCaesari. Imagine a vertical sound beam started by the vocal cords and shootingupward into the mouth. In head voice, this resonating sound beam, if it maintains thevertical direction, will angle slightly backward

and penetrate into the head cavities abovethe mouth. Ahhh. Ahahah. In chest, there is still a vertical sound beam, but it beginsto angle slightly forward and engage the hard palette. In my opinion, to lose the verticalwhile in chest voice, is to grab the vocal cord, squeeze and close the throat and jamthe sound beam down into the throat. Ahahah.Ahhh. The tone can barely escape and has no roundness,no fullness and no appeal. To me, this is not mix. Maintaining the vertical, even ifcompletely in the lower chest voice, creates an upward lift in the tone. The sound beamresonates on the hard palette appropriately. This seems to recruit more than just chestvoice by adding a rounder, fuller tone, as

Supernatural 200th ep FanFiction Musical Scene Carry On My Wayward Son HD cc

Dean: I guess we'll go back to staring atmotel room walls Sam: You know what Deané You were right. Stayingcooped up isn't helping us. We. Actor Sam: We need to get back on the road,Dean, doing what we do best. Sam: What is thaté Dean: It's the uh, the BM scene. Sam: The .bowel movement sceneé Dean: Shh! No. Just.shhh.Actor Dean: You're right, Sammy. Out on the road. Just the two of us.Actor Sam: The two of us against the world!

Sam: What SHE said.(music intro begins) Actor Mary (singing): Carry on my wayward son.there'llbe peace when you are done. Actor Mary and Actor Cas: Lay your weary headto rest.don't ya cry no more. Cast singing: Once I rose above the noiseand confusion, just to get a glimpse beyond the solution, I was soaring ever higher.Sam: Who is thaté Director: Oh, that's Adam, John Winchester'sother kid. He's still trapped in the cage.in hell. .with Lucifer.Cast singing: Masquerading as a man with a reason.my charade is the event of the season.and if I claim to be a wise man.it surely

means that I don't know.Cast singing: Carry on my wayward son.there'll be peace when you are done. Lay your wearyhead to rest.don't ya cry no more. Cast singing (soulfully): Carry on.(Applause) Closed captioning provided exclusively by quot;Son of a Bitchquot; Dean Winchester on Facebook,,Twitter and Tumblr.

MUSICAL THEATER BROADWAY CHALLENGE ft Natasha Negovanlis KindaTV Daniel Coz

{Singing}You're the one that I want! What's going on guys it's Daniel and iam joined with, Natasha! Natasha Negovanlis She is the face of KindaTV and also thestar of the Carmilla series which a lot of you have probably seen before. I alsowork for KindaTV which hosts basically a bunch of originalscripted series. A lot of them have a strong empowered female leads and tons of diversity. Really great content! great content. Its fun. If you haven't been over there go overthere and check out that channel subscribe to KindaTV we also did atutorial on that channel as well we sang

some disney songs you guys wouldprobably want to hear some songs so head on over, go check it out. Buttoday here on this channel we're doing the musical theater challenge Now both Natasha and myself startedoff in this wonderful world of entertainment through musical theaterbut we also met an acting class yeah we did we met in acting class a fewyears ago and then reconnected at the YouTube space Toronto. But yea we're doing the musical theater challenge. Uou guys probably don't know how it works so i'llexplain it for you.

So what happens is we're gonna sing asong from any Broadway show or any musical and the other person has toguess the show and guess the song title and whoever guesses either those rightit's a point. So you can possibly get 2 points, 1 point, or no point. Who wants to go firsté Actually sinceyour a guest on my channel you can go first. okay here we go {Singing} I keep thinking when does it end. Where's the day I've started forgettingé But I just go on thinking and sweating and cursingand crying and turning and reaching and

waking and dying. Keep going its so good And now not a day goes by Not a single day I want to see South Pacific but it's notfrom South Pacific mmm Its Not A Day Goes By from Merrily We Roll Along. and Bernadette Peters did the original version. I think you'll get thisbut {Singing} High flying adored. Did you believe in your wildest moments, all all this would be yours that you'd become the lady of them all weretheir stars in your eyes when you

crawled in at night. Noé I feel like its something relatively modern. I have no idea. What is ité It's beautiful. Its High FyingAdored from Evita. Andrew Lloyd Webber. It was 1970something butits pretty poppy though. Becasue of the cat like references, I feellike he's got like he uses a lot of cats All right it's my turn {Singing} Tell me he's lazy, tell me he's slow. Tell me I'm crazy maybe I know that i can't

help loving that man of mine Okay it's Can't Help Lovin' that Man of Mine And its from {Singing} Fish gotta swim, birds gotta fly (Daniel) It's South Pacific isn't ité {Singing} I gotta love one man till i die Can't help loving that man of mine I dont know the show I have this on vinyl Uhhh Showbaot

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