Singing Teachers Wellington

How To Sing Better For Guys Part 1

Is Everybody Readyé Well, Alright, then! Let'sGO!!!! Yeah, Yeah, Yeah, Yeah! How to Sing Better for Guys. Welcome to KenTamplin Vocal Academy, where we're going to be discussing How To Sing Better for Guys. Hi, Guys. Ken Tamplin from Ken Tamplin VocalAcademy, and I'm going to teach you a little bit about the voice and voice lessons today. This is Part One in a ThreePart series onHow to Sing Better for Guys. Now, there's a lot of different styles anda lot of different approaches to singing,

so that one subject isn't just how to singbetter for all guys, because it's how to sing better in whatever style you're looking tosing. Well, there are some very basic, nonnegotiables to singing, and I want to point out that mostof the time, not all of the time, but most of the time, guys want to sing harder thangirls. They want to get out there and just belt and wail. .and there's the other side, of R'n'B or Pop guys that are just looking to have somesoul, and some good licks, and some good tone, and good resonance, and stamina, andso forth, AND range, which we all want.

But I want to cover both aspects fairly briefly.I'm going to discuss Rock Singing first, and then I'm going to break into more Pop andR'n'B. So the very first thing is, is that we wantto have awesome posture. You want to sit up straight, or stand up straight, and by theway, when you sit, you lose up to 30% of your strength in your abdomen when you're singing,so I recommend you stand, if you can, but anyway, so you're going to want to stand,and you're going to want to take a breath from your belly, from your abdomen. Insteadof breathing like we do like this, from our chest, we want to breathe from our abdomen,from our belly, and our diaphragm. So you've

heard a lot about diaphragmatic support, soI'm not going to cover that here, I have some tutorials on my website regarding diaphragmaticsupport, and I have an amazing course called quot;How to Sing Better Than Anyone Elsequot;.So anyway, I want to talk about how to sing better for guys, so we're going to start firstwith this bright quot;PINGquot; in an quot;AHquot;vowel. quot;AH. AH.quot; I coined a phrase, it's called quot;IT'sthe LAH!!! AHHH!!quot; and it's that nice, Open Throat, Bright Ping Sound that keeps us fromsort of choking on our vowel sounds or pinching and squeezing as we go up.Now there's a lot to this but I'm going to just go through the basic elements of thisfirst, and then if you're interested, check out

my course, or check out my channel and I covera good amount of this stuff. So, we're going to start with the mean averageof singers, and that would be a baritone. And so we're going to start down in like amidbari or upper midbari range, and we're just going to go through a simple triad scalelike this: Lah, ah, ah, ah, ah, ah, ah.And try to keep the jaw as stable as possible. Try not to move the mandible, or the jaw,keep it in the marble or static or stable position, we're going to continue up a triadscale, like this: Lah, ah, ah, AH, ah, ah, ahhh.Don't forget your breath. Take your breath,

and use your breath, bring in the breath,kind of like you're doing a situp, the feeling of how much strength is required when you'redoing a situp. So let's continue. , Lah, ah, ah, AH, ah, ah, ahhh.Take your breath. Relax the shoulders, relax the arms, relax the neck. let's continue:Nice, bright, Open AH. I don't mean quot;loh, oh, oh, ohhh. or luh, uh, uh, uhh. I meanquot;AHquot;. Lah, ah, ah, AH, ah, ah, ahhh. Do yourselfa favor. Even get out a handheld mirror and look at the back of your throat, and see ifyour throat is nice and wide open, and that your tongue is placed to the base of the jaw,so it's not causing any stricture, or any

Farewell Mr Bunting SNL

♪♪♪gt;gt;gt; SIT DOWN. AS YOU ALL KNOW, MR. BUNTINGWILL NO LONGER BE TEACHING HERE AT WINDERMERE.AS YOUR PRINCIPAL, I WILL BE TAKING OVER THIS CLASS UNTIL THEEND OF THE YEAR. MR. DALTON, WILL YOU PLEASE TELLME WHERE YOU LEFT OFF IN THE TEXTBOOKéMR. ROONEYé SINCE MR. DALTON CANNOT BEBOTHERED WHERE DID YOU LEAVE OFFégt;gt; WE KIND OF SKIPPED AROUND A

BIT.gt;gt; FINE. THEN WE WILL START FROM THEBEGINNING. MR. KNOCK AT THE DOOR gt;gt; EXCUSE ME.I CAME TO COLLECT MY PERSONALS. SHOULD I COME BACK AFTER CLASSégt;gt; GET THEM NOW, MR. BUNTING. gt;gt; MR. KELLOGG, CONTINUE.PLEASE READ FROM PAGE ONE. gt;gt; WE HAVE RIPPED OUT ALL THEPAGES, SIR. gt;gt; TURNED THEM INTO HATS.gt;gt; THEN YOU CAN BORROW MINE.

NOW, READ.gt;gt; POETRY SHOULD NOT BE FUN. IT SHOULD BE OPPRESSIVE AND THEREADER SHOULD HATE IT. POEMS ARE FROM 100 YEARS AGO.THEY WERE WRITTEN BY A BUNCH OF DEAD MEN TO PUNISH CHILDREN, THEARTS IN GENERAL ARE FOR WOMEN AND HOMOSEXUALS.WHEN YOU READ A POEM, YOU SHOULD NEVER FEEL EMOTION.IN SUMMARY, POEMS STINK. gt;gt; MR. BUNTING, WE DIDN'T WANTYOU TO GET FIRED, THEY MADE US SIGN THAT PAPER.gt;gt; SIT DOWN, MR. DALTON!

gt;gt; IT'S OKAY.gt;gt; LEAVE, MR. BUNTING, RIGHT NOW.♪♪♪ gt;gt; I SING MY SONG FOR ALL TOHEAR. gt;gt; SIT DOWN THIS INSTANT.gt;gt; I SING MY SONG FOR ALL TO HEAR.gt;gt; I WILL HAVE YOU BOTH EXPELLED IF YOU DO NOT SIT DOWNIMMEDIATELY. MR. BUNTING, LEAVE.gt;gt; I SING MY SONG FOR ALL TO HEAR.gt;gt; I SING MY SONG FOR ALL TO

HEAR.gt;gt; I SING MY SONG SCREAMS AND LAUGHTER LAUGHTER gt;gt; ALL RIGHT. I'M GOING TO TAKE OFF.YOU GUYS HAVE MY EMAIL AND EVERYTHING, RIGHTéGO WINDERMERE. ♪♪♪ CHEERS AND APPLAUSE .

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