Singing Teacher Opera

How To Sing Like Your Favorite Artist pt2

Hello, and welcome. I'm Ryan Higa, professional singer and vocalstiloligerizerist. You might remember me from How To Sing Like Your Favorite Artist part 1. Well this one's completely different. It's not as good. With that being said, welcome to How To Sing Like Your Favorite Artist part 2. Remember that scary movie quot;The Grudgequot;é Make the sound that the little girl in quot;The Grudgequot; makes.

(groaning) Just sing like you normally would sing. ♪ When I met you in the summer! ♪ .and add the little Grudge girl sound. ♪ When I met you in the summer. ♪ ♪ To my heartbeat sound. ♪ ♪ We fell in love. ♪ ♪ As the leaves turned brown. ♪

grunting noises In order to sound like The Weekend, you have to literally make your face frozen to the point where it's numb and you can't feel it anymore. ♪ I can't feel my face when I'm with you. ♪ And once you get the frozen face down, all you have to do is act like you're sad and depressed.

♪ I'm just tryna get you out the friend zone. ♪ And if people can't hear you, just use a megaphone. ♪ I only call you when it's half past. ♪ In order to sound like Fetty Wap, just sing as if you just got hit in the nuts. Or for girls to relate, just make the sound you make when you cut wind. You know, when you get the wind knocked out of you, you make the sound that's like stressed inhale and then just sing like that. Fetty Wap.

Auuugh! ♪ Baby won't you come my wayé ♪ grunting You know when you're yawning and you still try to talk; that sound it makesé yawning All you have to do is sing, while you yawn. yawning ♪ You and me we made a vow. ♪

♪ You say I'm crazy. ♪ ♪ And you don't think. ♪ laughing You know when you're a little kid where you're on the verge of crying but you do your best to try and suck it upé You know, the borderline where you're trying to fight back your tears, because you know once you start crying, you're not gonna be able to stop.

Singing Lessons For Beginners The 5 Laws Of Singing Learn Singing with Ken Tamplin

Hey, Guys! Ken Tamplin from Ken Tamplin VocalAcademy and I'm here to talk about the Five Laws of Great Singing.First: SUPPORT. What is thaté Everyone talks about support. “Diaphragmatic Supportâ€�.It's actually your whole abdominal cavity, not just the diaphragm, and it's when wetake a breath, we take a breath like this: Our stomach, when we take a breath in goes(stomach comes out). When we breathe out, we push down, kind of like we're going tothe bathroom. . or doing a situp. Let's do it again… in… out… and we push down.And we use this as the engine that drives our “carâ€�. It's the most important part, which is Diaphragmatic Support, or Abdominal

Support. Second: Vowel Placement. The ONLY sound thatTruly Grows the Voice is a Bright Ping, or a Bright Timbral Sound. It's not “huuuuuh,huuuuuh� or a froggy sound. It's a real bright AH! It's the LAH!! AH!!! Like the wants to see your tonsils in the back of your throat. So the throat should be OPEN.It's called Open Throat Technique. And the tongue should be completely flat to the baseof the jaw, to keep any stricture away from the back of the throat, like this. “LAAAAAAAAAAAAAAAH!�So that you can tell “LAAAAAAAH!� that it's completely open, it's very bright,and that brightness, or that PING is truly

the only real sound that grows the voice.Third: Air Management or Breath Management, Breath Control. I'm not going: “HAAAAAAAAAAAAAA!�and killing you with sound. I'm controlling my air, I'm using my diaphragm to do allmy work, it's the engine that drives my car, and I'm holding back my air and lettingresonance take over because my wellplaced vowel sound of “AH� the way I just didit, “LAAAAAH!� is able to resonate and relax into the sound.Fourth: Stress Management or Stress Relief. I didn't go “LAAAAAH!� I don'tfreak out and actually close down on my body and tense up. What I do is I relax to thesound. “LAAAAAH!� I relax to the sound

so that I can use my diaphragm to do all mywork for me. It's my muscle, the engine that drives my car, that relaxes this openthroat technique. Finally, Fifth: The Psychology of Singing.If you freak out, and you worry about the high note, because you don't know how toget there. It has to do with the way you relax and think about the notes themselves, in orderto be able to get into good vowel placement, and understanding how to build chest, headvoice, and a mixed voice inbetween, to get you through the passagio, which is the passageway,from “LAAAAAAAAAAH� to get through that passageway to provide you the ability to singseamlessly, endtoend, with a lot of notes

that you can control if you apply these factors.Thank you for joining me.

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