Ep 33 How to Sing Mix Part 1
How to sing mix, or how to sing with a mixis a very common question. Inside this tutorial, I'll define and demonstrate mix. Warning:normally I try to avoid this, but in this tutorial I get a little 'geeky' about singing.(Vocal geek) Hi, I'm Chuck Gilmore with Power To Sing. How to sing in a mix. Well, whatis a mixé A mix is a mixture or blend of at least two things. When singing, you're ina mix if you have a mixture of chest voice and head voice. Ahahah. If you sing onlywith chest voice, you have no mix. Ahhhh. If you start in chest and sing higher andbreak or flip into falsetto, you have no mix. Ahahah.because you've lost the connectionto your chest voice. If, when singing, you
bring falsetto down into the area of the chestvoice that is supposed to be chest, there is no mix. It's only falsetto. Ahahah. Amix can only exist if the vocal cords remain connected. If your vocal cords break intofalsetto and you do not reconnect, you have no mix. It's only falsetto. Ahahah. Mixis made with connected vocal cords and a blend of chest resonance and head resonance. Now,where is mix in the voiceé There are several schools of thought about when and where you'rein mix. Some define mix as only occurring in the vocal bridges, passaggi. When singingin chest voice, as you sing higher, and while keeping the vocal cords together, the resonancebegins to move higher from your chest into
your head cavities. The resonance splits sothere's a mixture, or a mix of both chest and head resonance. This split occurs in thebridge or passaggi. After getting through the first bridge the singer encounters a secondbridge and then a third bridge. For women, there are even more bridges. With each bridge,there is a blend of overtones from the register below and the register above. Lower overtonesdamping, or dropping out and higher overtones coming in. As a result of this process, manybelieve that mix is only occurring in the actual bridges. Some believe if the vocalcords remain connected while the resonance has split into both chest and head cavitiesthat mix is always present, both in and in
between the bridges. In other words, everythingis mix. At this point in my singing and teaching, I think it's a combination of these two. Pavarottiis reported to have said that singing was like a repeating figure 8. Seth Riggs concluded,and I believe like Seth, that Pavarotti was describing the repeated narrowing into thebridge and the opening into the new register and so on upward. In my opinion, if the vocalcords remain connected, there's always some chest residue, even if it's very slight. Soeven in the highest head voice, if the cords have remained connected, that seems like mixto me, even if it's 100 to 1, it's still a mix. At a certain point, if the cords remainconnected, does it really matter if we say
it's mix or connected super head voiceé Theproblem is, what happens to mix when you sing down below the first bridge into chesté Well,you could definitely bring mix down into the chest register. So, I understand how thatcan be mix, but in most voices, you can only do that so long before the chest voice takesover. How, then, can that be a mixé A third concept that has helpful for me, is 'maintainingthe verticalquot;.(Vocal Geek) This is mentioned in the book, quot;The Voice of the Mind', by E.HerbertCaesari. Imagine a vertical sound beam started by the vocal cords and shootingupward into the mouth. In head voice, this resonating sound beam, if it maintains thevertical direction, will angle slightly backward
and penetrate into the head cavities abovethe mouth. Ahhh. Ahahah. In chest, there is still a vertical sound beam, but it beginsto angle slightly forward and engage the hard palette. In my opinion, to lose the verticalwhile in chest voice, is to grab the vocal cord, squeeze and close the throat and jamthe sound beam down into the throat. Ahahah.Ahhh. The tone can barely escape and has no roundness,no fullness and no appeal. To me, this is not mix. Maintaining the vertical, even ifcompletely in the lower chest voice, creates an upward lift in the tone. The sound beamresonates on the hard palette appropriately. This seems to recruit more than just chestvoice by adding a rounder, fuller tone, as
The Number Adventure at the Train Factory with Shawn and Team Full Cartoon
(Speedy) Hi, I'm Speedy! We're here to take you to the train factory. (Rusty) Hi, and I am Rusty the robot. We are very glad you are coming along. Look, here's Shawn on the monitor. (Shawn) Hi, how are youé I'm very happy that you're coming to the factory! (Dexter) OK, Shawn, I am moving out ten containers. (Shawn) Thank you, Dexter. You can help us build the trains and learn about the numbers. On the way to the factory Rusty the Robot will show you what we do here. I suppose you've met Speedy, too. He's a quick little train but I think Rusty will keep him in check.
(Rusty) OK. You can operate this train. Push this lever forward to accelerate. We cannot travel faster than ten miles per hour. We want everybody to be safe at the factory. (Speedy) I can go a lot faster than ten miles per hour, but the robot won't let me. (Rusty) We're going a little too fast. Pull this lever to slow down to ten miles per hour. Thank you. Here we test different trains. We use numbers a lot. We count train parts when we build trains. We count how many objects a train can carry. (Dexter) Hello everyone.
(Rusty) Hello. (Dexter) Hey, Robot, don't close the gate yet. Thanks. (Rusty) We also measure the weight of the objects using numbers. We calculate how much weight each train car can hold from a light ONE (1) ton to a heavy ONE HUNDRED (100) tons. We also measure distance and speed using numbers. We have slow trains like Donald and fast trains like Benny. (Benny) Okay Donald, Are you ready to race againé
(Donald) Bring it on, Benny. (Rusty) By the time Donald travels THREE (3) sections Benny has traveled TEN (10). (Donald) Oh, no. Not again! (Rusty) When you go to school they will teach you about numbers and measuring. We're arriving at the facility. (Shawn) Hi. I'm so glad you're here. Let me introduce you to the team. You already know Speedy and Rusty and this is Donald. (Donald) Hi. It is very nice to meet you again. (Benny) I don't know how you got here first.
(Donald) I told you I would win this time. (Benny) I am very glad to see you again. Shawn, we might have to replace my two headlights. I don't see well at night anymore. (Shawn) No problem, Benny. Dexter is coming back. (Dexter) It's nice to meet you. Thank you for coming over to help us. (Shawn) Okay, it's time to go to work. (Chief) Don't forget about me. How are you doing. I am Dan but everybody calls me Chief. Okay, guys, I am not going to delay you. I have to go clean the test tracks.
(Shawn) See you later Chief. Oh, wait! Let's all take a picture. ONE (1), TWO (2), THREE (3). Okay, it's time to go to work. We are at the Assembly and Repair Stations. The first number you will learn is the number 1 (ONE). We have one big container we have to lower. Go ahead and push the button. (Computer) Greetings! ONE (1), ZERO (0).
Chaiyya Chaiyya English Subtitles Dil Se HD
He who walks in theshadow of love. will have paradise beneth his feet. He who walks in theshadow of love. Walk in the shadow. Walk in the shadow of love, Let your feet walk upon paradise. Walk in the shadow. My love is like a fragance,
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Flickle, she flits shamelesslyfrom sun to shade, Changing the color of her radiance I am a lover of her color and beauty He who walks in the shadow of love.will have heaven beneath his feet. She is my evening, my night, my universe. She is my friend, my beloved He who walks in the shadow of love. will have heaven beneath his feet.
Walk in the shadow. My friend is like a sweet fragance, whose words are like Urdu poetry. She is my evening, my night, my resurrection. That friend is my beloved!.