How To Sing Better Tips To Learn How To Sing Better Today
How to Sing Hi. My name is Aaron from Superior SingingMethod and in this tutorial, I want to talk about how to sing. OK. How to sing, kind of a broad topic butI'm going to narrow it down. At the end of this, I want to give you a really good exercise,one of my favorite exercises that will get you a little farther down the road of actuallyhow to sing. But let's talk for a minute about how to sing. What does that even mean to learnhow to sing and sing betteré I break it down into sometimes three, sometimes four differentcategories but I will give you four right
now. Learning how to sing is learning the instructionpart. So right now, this is part of the instruction. I'm going to give you that vocal exercisebut just to give you a little bit of instruction about the voice and how it works and how singingworks because the more you know about the voice and how the voice works when it comesto singing, the more you can apply these techniques and concepts to singing and to the exercisethemselves to start shaping your voice the way you want it to be so you have the besttone, the most resonant, full kind of sound. You can hit the high notes, all that kindof stuff.
So instruction is the first part. The secondpart is then I guess kind of obvious is the exercises. You got to have the exercises becausethe exercises are just like the rest of your body. You need to work out, exercise to keepin shape and to be able to make your body do the things that you want it to be ableto do to have the flexibility and the strength to do what you want to do. Third one is systematic. Learning singingsystematically is really the way to go. The link below is I have an eightweek systematicprogram that you can check out at some point but I believe that systematic is the way togo because you learn the right thing at the
right time and you're not only systematicallydoing the exercises but you're also learning the things in the right order and doing thingsin the right amount of time and repeating there's a lot of repetition which leads meto the next one and that's just being consistent. Use the repetition to consistently build andbuild and build your voice. So those are kind of the four main thingsand just along the lines of that last one, the repetition is I know that's kind of thedifficult part, righté I think we live in a culture that we don't want to do thingsover and over and we don't want to like work really hard to get to things and I get thatand with these tutorials, my point and my goal
is get you singing as good as you could possiblysing as fast as possible for sure but it does take repetition and it takes time. As youdo the exercises, this one that I'm about to give you and other exercises of courseyou need a variety of exercises but this is a really good one. It's not just going to take once and you'regoing to sing better. You know that. Intuitively, you know you're not just going to get betterby, Oh, do this exercise for 10 minutes and I can sing better. But if you do it this consistentlyfor two or three days, a week, two weeks, those kinds of things, you will start it'snot like all of a sudden you will be like
the greatest thing in the world but you willnotice a marked improvement in your voice. You will see improvement and that will encourageyou to be more consistent and get more instructions. Do more exercises. Do the systematic thingand the consistency and repetition. So what I want to talk to you about today,the instructional part, and this is all instruction but the instruction part of the actual voiceand how it works. What I want to talk about is the larynx. This is one of the problemsthat most singers have is that when they go to sing high notes, what they're doing isthey're raising their larynx up. Maybe you do this as well. When I'm not paying attentionand I'm singing, sometimes I still even do
How To Stop Voice Cracking Now Singing Lessons Ken Tamplin Vocal Academy
Stop cracking when singing! How do we do thatéHey guys, my name is Ken Tamplin, from Ken Tamplin Vocal Academy, where the PROOF isin the SINGING! Now, wherever you get your information from,it's important to ask yourself two very specific questions. And the first thing is:the person giving you the information, can they demonstrate it themselves, and demonstrateit well, and do they have students that demonstrate what they're teaching to prove out that whatthey're telling you is the truthé Here at Ken Tamplin Vocal Academy we have over 300tutorials, with dozens of students demonstrating and proving out what we teach, to give you honest, legit information.
With that said, how do we not crack when wesingé Well, why do we crack when we singé I think that's the biggest, most importantquestion. And, to answer that, there's many reasons, but there's two big reasons, andthe first one is physiological. There is a physical strength training of building upto a certain point so that we're strong enough to be able to hold a note. There'sa second part too, which is psychological, which has to do with nerves, and being afraidto sing in front of someone, or being afraid of the high note.Now, I have a singing course called How To Sing Better Than Anyone Else, at Ken Tamplin Vocal Academy , where I walk you through,
stepbystep, all of these different things,on how to strength train, how to think about the notes psychologically so you're notafraid of the high notes or you're not afraid of an audience. I also have some cool tutorials.Check out my Fear of Singing tutorial, it's on YouTube, you'll like that.But the first thing is, I want you guys to go refer back to my tutorial called DiaphragmaticSupport. We're going to do a couple of scales here. I want you to do them with me, but youhave to know how to control your diaphragm first, to be able to relax the chest, and theneck, and the throat, so that you are not choking off the cord, and panicking by thetime you get there, whether you're holding
a note, or worried about singing a high note, or just a phrase that's a little hard to sing. We're going to do three vowels: ooh, oh, and ah. And it's going to go like this.Now, guys, I'm going to do this in a lower register, for the mean average of where mostguys are. Ladies, you'll do this up an octave. La ah ah ooh, oh, ah, ah, ah, ahâ€¦You want to feel the freedom in the throat and the strength in the abdomen, because youknow how to control abdominal strength. Now, in the back of the throat I have another componenttutorial that goes along with this, called Open Throat Technique, where you want to have theback of your throat stay completely open,
your tongue dropped to the base of the jaw:Aw, Oh, Ahhhâ€¦ To where you create the maximum amount of space in the throat, to relieveany kind of tension that could take place there at all.La ah ah ooh, oh, ah, ah, ah, ahâ€¦ Feel the strength coming from your diaphragm.It's the engine that drives your car. La ah ah ooh, oh, ah, ah, ah, ahâ€¦La ah ah ooh, oh, ah, ah, ah, ahâ€¦ La ah ah ooh, oh, ah, ah, ah, ahâ€¦La ah ah ooh, oh, ah, ah, ah, ahâ€¦ Now, if you notice, I'm not going â€œoohoh ahâ€� (distorted and strained) I'm not straining in my throat, becauseI know, I've played this tutorial game enough
to know when I'm coming around the cornerand I lose a life from some bad guy that gets me, that if I have strength in my abdomen,and I've learned how to relax my chest, my neck, and my throat, I know how to getto the next level. So, I cover all of this in my singing course called How To Sing BetterThan Anyone Else. Now, there's one more really important thing,and that is the psychology of how we get to those notes. Now, there's something calledvowel modifications. And in those vowel modifications, we want the throat to feel the path of leastresistance. We don't want the throat to go ooh, oh, ah, and have big changes in thethroat. We want the vowels to be very similar