How To Sing Good 3 Easy Tips For How To Sing Good
Hi there. Aaron here from Superior SingingMethod and in this tutorial, I want to talk about how to sing good. OK. How to sing good. The ironic thing aboutthe statement how to sing good is it is bad grammar. So let me just get that out of theway first. How to sing well, yeah, that's better grammar. So this is not a grammar lesson.This is actually a singing lesson so let's jump into that. How to sing well, how to sing good. Firstof all, at the end of this, I want to give you a good vocal exercise that will help youto be able to sing well and it's one of my
favorite ones. It's a good warmup exercisethat will kind of get you going in the morning as well. It's the only one you do. It's agood one to start with. So how do you sing wellé What are the different things that ittakes to learn how to do thaté First of all, understanding the voice. Thereare two probably yeah, three main things I think. It's like understanding the voice,learning proper technique and doing vocal exercise. So last one I'm going to give youis that vocal exercise. So understanding the voice, what does that meané Things like nasality. A lot of people whenthey sing, they sing and it just sounds kind
of like this. It sounds nasally and nasallydoesn't come across. It doesn't sound very good and nobody really wants to hear a nasallysinger. So understanding the voices, understandinghow to for example, it would be how to get rid of the nasality in your voice and it couldbe a lot of things but mostly it's probably the soft palate and I won't go too much intoit now. But soft palate is just beyond the hard palate which is the roof of your mouth.Soft is set behind there and usually nasally means soft palate is down too low. So understanding the voice, understandingthat the voice is a delicate instrument, understanding
that when you yell and you're like tryingto belt a note, like that, that puts a lot of strain on your voice and doesn't soundgood with tone but it also can hurt your voice. So just understanding those there is a lotof things to understand about the voice. These are just a couple of examples. The second thing is learning proper technique.Proper technique is things like learning how to breathe from your diaphragm. Breathingfrom your diaphragm is taking a just to give you a little, tiny glimpse of what it is,it's basically having proper posture, taking that complete breath and allowing your diaphragmto descend, creating space for your lungs
to be able to expand and your stomach cavityand as you sing, the tendency is to let your chest kind of collapse, to fall like that.But instead of doing that, keeping your chest nice and high, like kind of just like I amnow, not super high. Those are some of the basics of learning howto diaphragm breathe. So that's learning the proper techniques and there are a lot of techniquesof learning how to sing but that was just one example. So it's understanding the voice, learningproper technique and then doing vocal warmups. Vocal warmups are important because yourvoice is made of muscle and cartilage and
you need to build up those muscles to be ableto manipulate the notes the way you want to and to be able to sing all the things youneed to sing and know what your voice is going to do when. You need to strengthen those musclesso that they respond the way that you want them to respond when you're singing, rightéRight. So let's get to the voice exercise. This isa good one. It's one of my favorites as like a morning exercise. It's going to be Zs, Zs,We're going to do Zs on just basically five notes descending. So it's going to be vocalexercise. I started a little low. I will start a little higher. vocal exercise Dothat with me. vocal exercise And then you
THE TRUTH ABOUT VOCAL TRAINING by Ken Tamplin Vocal Academy
Hi. My name is Ken Tamplin, and welcome to Ken Tamplin Vocal Academy. My slogan is, â€œIf you like the way I sing, I'll show you how I do it.â€� The PROOF is in the Singing.Why do I say thaté I say that to say this: I started out as a singer, just like you. I didn't start out to learn how to teach the voice to a bunch of people and tell other people how to sing. I started out because I wanted to be, maybe the greatest Rock Singer in the world, or at least the greatest singer that I COULD be.
So I began studying the voice diligently around the age of nineteen. I studied it for well over twenty years, and have had the opportunity to study under some of the greatest vocal teachers this world has to offer. Folks like Ron Anderson, who you might know as the premier vocal coach for American Idol, and the TV show â€œRock Starâ€�. He also has worked with Chris Cornell, Kelly Clarkston, Adam Lambert, Jennifer Hudson, he goes on tour with Alicia Keys, the Chili Peppers, Josh Stone, and so forthâ€¦
I also studied under David Kyle, or the late quot;Maestro Kylequot;, and I went to Rome for a few years to study there, as well. So, with that said, I want to talk to you a little bit about the voice, and what I feel KTVA represents, as opposed to what I feel there's a lot of other methods out there that misrepresent the truth about singing. And I just have to say it for what it is. In fact there's some courses out there that will even tell you they'll put an octave on your voice in just a few weeks, and they'll even â€œguaranteeâ€� it.
Folksâ€¦ I've just got to tell you. That's just not the truth. They're just looking for your money. They're looking to line their pockets with your hardearned dollars. I know, because many years back there were a lot of coaches out there that would â€œmeteroutâ€� information very slowly. In fact, most coaches do that, because they want to get you to keep coming back over and over again and they just want to fill their bank account with your hardearned cash. I designed KTVA to streamline
all of my life's experiences, not just learning how to sing in some climatecontrolled vocal booth room, but the years of live stage experience, different types of singing environments, competitions, recording, You know, and, and, andâ€¦ And I've streamlined that into the components, the hard core components of what it takes to become an excellent singer. Now you could stay in the beginners, or starters, or intermediate courses and enjoy that, and maybe you're a karaoke guy and you just want a weekend kind of thing,
or you can take it all the way to the Masters Class, which is Stage Three, which will give you the tools beabsolute monster singer. Now I want to talk to you about this quot;timeframequot; within which this happens. And here I've just slammed all these people. On my website I'm not posting a zillion famous people that I've taught. You know, my cousin is Sammy Hagar. I've worked with some of the biggest Rock Bands in the world. I've worked with some of the biggest music producers in all of Rock and Roll History. I have thirty albums out. I've got three Dove Awards, which are like Gospel Grammysâ€¦ Fourteen
Singing Lessons For Beginners The 5 Laws Of Singing Learn Singing with Ken Tamplin
Hey, Guys! Ken Tamplin from Ken Tamplin VocalAcademy and I'm here to talk about the Five Laws of Great Singing.First: SUPPORT. What is thaté Everyone talks about support. â€œDiaphragmatic Supportâ€�.It's actually your whole abdominal cavity, not just the diaphragm, and it's when wetake a breath, we take a breath like this: Our stomach, when we take a breath in goes(stomach comes out). When we breathe out, we push down, kind of like we're going tothe bathroom. . or doing a situp. Let's do it againâ€¦ inâ€¦ outâ€¦ and we push down.And we use this as the engine that drives our â€œcarâ€�. It's the most important part, which is Diaphragmatic Support, or Abdominal
Support. Second: Vowel Placement. The ONLY sound thatTruly Grows the Voice is a Bright Ping, or a Bright Timbral Sound. It's not â€œhuuuuuh,huuuuuhâ€� or a froggy sound. It's a real bright AH! It's the LAH!! AH!!! Like the wants to see your tonsils in the back of your throat. So the throat should be OPEN.It's called Open Throat Technique. And the tongue should be completely flat to the baseof the jaw, to keep any stricture away from the back of the throat, like this. â€œLAAAAAAAAAAAAAAAH!â€�So that you can tell â€œLAAAAAAAH!â€� that it's completely open, it's very bright,and that brightness, or that PING is truly
the only real sound that grows the voice.Third: Air Management or Breath Management, Breath Control. I'm not going: â€œHAAAAAAAAAAAAAA!â€�and killing you with sound. I'm controlling my air, I'm using my diaphragm to do allmy work, it's the engine that drives my car, and I'm holding back my air and lettingresonance take over because my wellplaced vowel sound of â€œAHâ€� the way I just didit, â€œLAAAAAH!â€� is able to resonate and relax into the sound.Fourth: Stress Management or Stress Relief. I didn't go â€œLAAAAAH!â€� I don'tfreak out and actually close down on my body and tense up. What I do is I relax to thesound. â€œLAAAAAH!â€� I relax to the sound
so that I can use my diaphragm to do all mywork for me. It's my muscle, the engine that drives my car, that relaxes this openthroat technique. Finally, Fifth: The Psychology of Singing.If you freak out, and you worry about the high note, because you don't know how toget there. It has to do with the way you relax and think about the notes themselves, in orderto be able to get into good vowel placement, and understanding how to build chest, headvoice, and a mixed voice inbetween, to get you through the passagio, which is the passageway,from â€œLAAAAAAAAAAHâ€� to get through that passageway to provide you the ability to singseamlessly, endtoend, with a lot of notes
that you can control if you apply these factors.Thank you for joining me.