Singing Course Berlin

How To Sing Like Your Favorite Artist pt2

Hello, and welcome. I'm Ryan Higa, professional singer and vocalstiloligerizerist. You might remember me from How To Sing Like Your Favorite Artist part 1. Well this one's completely different. It's not as good. With that being said, welcome to How To Sing Like Your Favorite Artist part 2. Remember that scary movie quot;The Grudgequot;é Make the sound that the little girl in quot;The Grudgequot; makes.

(groaning) Just sing like you normally would sing. ♪ When I met you in the summer! ♪ .and add the little Grudge girl sound. ♪ When I met you in the summer. ♪ ♪ To my heartbeat sound. ♪ ♪ We fell in love. ♪ ♪ As the leaves turned brown. ♪

grunting noises In order to sound like The Weekend, you have to literally make your face frozen to the point where it's numb and you can't feel it anymore. ♪ I can't feel my face when I'm with you. ♪ And once you get the frozen face down, all you have to do is act like you're sad and depressed.

♪ I'm just tryna get you out the friend zone. ♪ And if people can't hear you, just use a megaphone. ♪ I only call you when it's half past. ♪ In order to sound like Fetty Wap, just sing as if you just got hit in the nuts. Or for girls to relate, just make the sound you make when you cut wind. You know, when you get the wind knocked out of you, you make the sound that's like stressed inhale and then just sing like that. Fetty Wap.

Auuugh! ♪ Baby won't you come my wayé ♪ grunting You know when you're yawning and you still try to talk; that sound it makesé yawning All you have to do is sing, while you yawn. yawning ♪ You and me we made a vow. ♪

♪ You say I'm crazy. ♪ ♪ And you don't think. ♪ laughing You know when you're a little kid where you're on the verge of crying but you do your best to try and suck it upé You know, the borderline where you're trying to fight back your tears, because you know once you start crying, you're not gonna be able to stop.

Performance Alice Phoebe Lou TEDxBerlin

Hello. Yeah, it's a privilege and an honorto stand on a stage where so many people today have shown us how they can take their unique skills and use them for the bettermentof the world and for the greater good. And it's very inspirational for me. So, thank you for this experience. And I'm now given the taskof trying to help you process

what you have learned today,because it is a lot of information. And I think through the catharticexperience of music you can try to processwhat you have learned today, I guess. This song is called quot;Girl on an Island.quot;It's my own song. (Acoustic guitar music) There once was an island, further than any boat had reached. And she sat there in silence.

Alone, but at ease. A spell was upon her. Her body could never leave, but her mind would travel multitudes your eye could not conceive. When the night sky is your only friend, when you're tired

of playing pretend, when the ground under your feet seems like no more than a dream, and you're in over your head and your instincts are not fed, well, you're not free. You don't feel free. There's no time to beon that island with me,

far away from the city, from the litter and poverty, from the fastpaced monotony. Eeee. Eeee. (Applause) (Cheers) Thank you. (Applause) (Cheers)

Thank you. (Applause) So I'm a street musician, so I have a lotof experience with playing to people, but it's alwaysa very different experience when there's lights, and a stage,and, you know, a quiet audience that isn't just passing by on the street. And often I get asked questions,quot;So what does the future holdéquot;, you know. People wonder, quot;Don't youwant to sign with a major labeléquot;,

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