Singing Coach Edinburgh

How To Sing Like A PRO Open Throat Technique Tutorial Ken Tamplin Vocal Academy

How to sing like a Pro. Hey guys, my name is Ken Tamplin, and welcometo Ken Tamplin Vocal Academy, where the proof is in the singing. Now, in order for me to be able to teach youhow to sing like a Pro, I'd better have achieved professional status myself, and Ialso better show you that I have students that have gone from amateur status to professionalstatus. Now let's be clear on something. Most professionals themselves don't singwell from a technical standpoint.

So just to sing like a Pro doesn't meanyour singing properly or great, but I have to point out that no matter where you getyour information, think about this: the person giving that information, have they achieveda high level of professional statusé And do they demonstrate students that haveprofessional statusé We have over 300 tutorials on my channel, withthe plethora, which means a lot, of students on my channel, many of which have achievedawesome professional status. Now just quickly go to Sara Loera, check outGabriela Guncikova, 10 second songs' Anthony Vincent, Mark Hudson from Dragon Force, Icould go on and on and on with a lot of the

students that have applied my course and achievedprofessional status. Now what does it mean to become professionaland how do we do ité Well it has to do with strength training andthe way we think about the voice and the way we strength train in order to build enoughprofessional–ism in what it is that we're doing to be able to sing strong with confidencenight after night with consistency. So I have a singing course called How To SingBetter Than Anyone Else, you can check it out on Ken Tamplin Vocal Academy dot com,and I walk you through, stepbystep what it's going to take to help you become aprofessional singer.

Now, to be a professional singer, there'slots involved in this and it's not just only the physical or musical side, there'sa psychological side to this, but I want to show you a few things that you can do thatwill be really, really awesome. Okayé We're just going to run through a coupleof warmup exercises that will help you understand how to clean up the voice. Now, check out my tutorial on diaphragmatic support,check out my tutorial on open throat technique, it's the precursor of what you're goingto need to do, what we are about to do here

at this level. We're going to sing an AA vowel, and theAA vowel scale is going to go like this. Lay… Ahhh… So AA and Ah, and we're going to actuallyslowly go through this to start to strength train the voice, here we go. Ladies, you'll do this up the octave… Lay…

Ah… Do this with us in octaves… Lay… Ah… Now, going between vowels, AA and Ah helpresiliency and the ability to relax the cords and to, with freedom, be able to go up anddown a scale without feeling tension in the throat, because we want to build strengthfor the sound. Lay…

How to speak so that people want to listen Julian Treasure

The human voice: It's the instrument we all play. It's the most powerful soundin the world, probably. It's the only one that can start a waror say quot;I love you.quot; And yet many people have the experience that when they speak, peopledon't listen to them. And why is thaté How can we speak powerfullyto make change in the worldé

What I'd like to suggest, there are a number of habitsthat we need to move away from. I've assembled for your pleasure hereseven deadly sins of speaking. I'm not pretendingthis is an exhaustive list, but these seven, I think, are pretty largehabits that we can all fall into. First, gossip. Speaking ill of somebodywho's not present. Not a nice habit,and we know perfectly well

the person gossiping, five minutes later,will be gossiping about us. Second, judging. We know people who are like thisin conversation, and it's very hard to listen to somebody if you know that you're being judgedand found wanting at the same time. Third, negativity. You can fall into this. My mother, in the last years of her life,became very negative,

and it's hard to listen. I remember one day, I said to her,quot;It's October 1 today,quot; and she said, quot;I know, isn't it dreadfuléquot; (Laughter) It's hard to listenwhen somebody's that negative. (Laughter) And another formof negativity, complaining. Well, this is the national art of the U.K.

It's our national sport. We complain about the weather, sport,about politics, about everything, but actually, complaining is viral misery. It's not spreading sunshineand lightness in the world. Excuses. We've all met this guy. Maybe we've all been this guy. Some people have a blamethrower.

They just pass it on to everybody else and don't take responsibilityfor their actions, and again, hard to listento somebody who is being like that. Penultimate, the sixth of the seven, embroidery, exaggeration. It demeans our language,actually, sometimes. For example, if I see somethingthat really is awesome, what do I call ité

How To Have A Scottish Accent

Hello, I'm Gareth Jameson. I'm an actor anda voice coach from londonvoicelessons. com. here are some tips for working on yourvoice. Now the key to any accent is to isolate the sounds that are specific to that accent. So, when I'm talking about a Scottish accent,I'm going to talk about a very generalized Scottish version of the English language,sometimes called Scottish English. There are of course many different accents dependingon whether you're in Glasgow, Edinborough, or Aberdeen. This one is probably what wecall a general Scottish accent. Now, the first thing you need to work on isyour quot;Rquot; sound. So, for most Scots speakers,

they don't actually use quot;rrrrquot; that we associate.It'd be very rare to hear quot;murderquot; with big long R's. It's much more common to roll the R just oneroll, called a tapped R. Bright red, so I say bright red like that. Or saying wordslike butter or bird. Notice that it's tapped, so it's not quot;birrrdquot;or not bird, bird. Also, if you get an L after the letter R, sometimes you'll have an extrasyllable on the word so that girl becomes quot;girl, girlquot; and world becomes quot;worldquot;. Theloveliest quot;girlquot; in the quot;worldquot;. Our next feature is the vowels in bath andlaugh are the same as in the vowels in trap

and man. So, quite often they are differentfor other accents, but in this accent they are the same. Bath, laugh, trap, and man. There are little difference: Bath, laugh,trap, and man. Also, the quot;ooquot; and quot;uquot; vowels are the same. In the UK at the moment, thereis a T. V. commercial with the tag line: quot;Good withfoodquot;. The narrator on the commercial is Scottish, so we hear quot;Good with foodquot;. They rhyme in his accent, and that's the samefor the quot;ooquot; and quot;uquot; sounds. So, that hook and pool are quot;hookquot; and quot;poolquot;. There is nodifference between the pull of a rope and

the swimming pool. Pool. pool and pull are the same. Pull. Finally, listen to this phrase which willshow you a few more features. It's not a problem if you haven't gotten any. It's not a problemif you haven't gotten any. Now, this is more to do with dialect thanaccent and in fact, while you're researching your accent, it is important to look up anydialect words, any words that are different in that accent than they are for other people.For example, rather of saying not, in Scots speak I might say quot;Notquot;. It's not a problem.

And rather than haven't, quot;have anyquot;. quot;It'snot a problem if you have any gotten any.quot;.

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