Professional Singing Lessons Melbourne

How To Sing Like Your Favorite Artists

Welcome. I'm Ryan Higa Professional singer and vocal stiloligerizerist and today i'm gonna be teaching you how to sing like some of your favorite artists. As much as you think you can't sing or as much as you know you can YOU CANT YET but by the time you finish this tutorial with enough work and effort in ONE DAY you might be able to sound like. THIIIIIIIIIIIIIIIIIS!!!! Not one lesson (guitar music)

The first artist you're gonna learn how to sound like Think of every tough guy you've ever met with a big ass chain. Now double that! That's how tough you gotta be when you rap like 2 chainz Once you've got that down all you have to do is rap about all things that are plainly obvious She got a big booty so I call her quot;big bootyquot; Or a line like this I'm in the kitchen. Yams everywhere Or.

All I want for my birthday is a big booty ho Yes those are actual lyrics from his song quot;birthday songquot; But really once you perfect your 2 chainz you can do it with anything I like this lamp yo that's why i purchased this lamp I'm in the kitchen. Not anymore All i want for my birthday is a big booty hole Oh! Gotta poop Gotta poop right now

Jt like to sing high so the technique here is simple you just have to grab your nuts hard. hard as the can I (grabbing those nuts hard) can't wait till I get you on the floor good lookin. HOW! AH! To sound like Nikki Minaj is simple all you have to do is rap while you're slowly leaning back on an excersize ball I said quot;excuse me you're a hell of a guy. I mean mymumumy you're hell a fly I mean you're so shy and i love you to tie just look at the guy when I think of his eyequot; ugh! So you wanna sound like beyonce.

Probably can't. It's a natural god given talent Just try to sound overly sexy almost to the point where it sounds like you're gonna cry but you don't As long as you love me Just pretend you're a good looking British singer and duplicate yourself Everyone else but you two! Lets see I'm probably gonna need about one two three.four more people for this part so. (duplicates) You guys readyé Five six seven eight Remember that when you are feeling sad

Just sound really lazy like you don't even feel like rapping today STARTED FROM THE BOTTOM NOW WE HERE! Lazier! Much lazier than that! Started from the bottom now we're here! LAZIER! Started from the bottom now were here Look your alarm clock just woke you up at 6:00 am morning and now you have to go to school Started from the bottom now the whole team here

How To Stop Voice Cracking Now Singing Lessons Ken Tamplin Vocal Academy

Stop cracking when singing! How do we do thatéHey guys, my name is Ken Tamplin, from Ken Tamplin Vocal Academy, where the PROOF isin the SINGING! Now, wherever you get your information from,it's important to ask yourself two very specific questions. And the first thing is:the person giving you the information, can they demonstrate it themselves, and demonstrateit well, and do they have students that demonstrate what they're teaching to prove out that whatthey're telling you is the truthé Here at Ken Tamplin Vocal Academy we have over 300tutorials, with dozens of students demonstrating and proving out what we teach, to give you honest, legit information.

With that said, how do we not crack when wesingé Well, why do we crack when we singé I think that's the biggest, most importantquestion. And, to answer that, there's many reasons, but there's two big reasons, andthe first one is physiological. There is a physical strength training of building upto a certain point so that we're strong enough to be able to hold a note. There'sa second part too, which is psychological, which has to do with nerves, and being afraidto sing in front of someone, or being afraid of the high note.Now, I have a singing course called How To Sing Better Than Anyone Else, at Ken Tamplin Vocal Academy , where I walk you through,

stepbystep, all of these different things,on how to strength train, how to think about the notes psychologically so you're notafraid of the high notes or you're not afraid of an audience. I also have some cool tutorials.Check out my Fear of Singing tutorial, it's on YouTube, you'll like that.But the first thing is, I want you guys to go refer back to my tutorial called DiaphragmaticSupport. We're going to do a couple of scales here. I want you to do them with me, but youhave to know how to control your diaphragm first, to be able to relax the chest, and theneck, and the throat, so that you are not choking off the cord, and panicking by thetime you get there, whether you're holding

a note, or worried about singing a high note, or just a phrase that's a little hard to sing. We're going to do three vowels: ooh, oh, and ah. And it's going to go like this.Now, guys, I'm going to do this in a lower register, for the mean average of where mostguys are. Ladies, you'll do this up an octave. La ah ah ooh, oh, ah, ah, ah, ah…You want to feel the freedom in the throat and the strength in the abdomen, because youknow how to control abdominal strength. Now, in the back of the throat I have another componenttutorial that goes along with this, called Open Throat Technique, where you want to have theback of your throat stay completely open,

your tongue dropped to the base of the jaw:Aw, Oh, Ahhh… To where you create the maximum amount of space in the throat, to relieveany kind of tension that could take place there at all.La ah ah ooh, oh, ah, ah, ah, ah… Feel the strength coming from your diaphragm.It's the engine that drives your car. La ah ah ooh, oh, ah, ah, ah, ah…La ah ah ooh, oh, ah, ah, ah, ah… La ah ah ooh, oh, ah, ah, ah, ah…La ah ah ooh, oh, ah, ah, ah, ah… Now, if you notice, I'm not going “oohoh ah� (distorted and strained) I'm not straining in my throat, becauseI know, I've played this tutorial game enough

to know when I'm coming around the cornerand I lose a life from some bad guy that gets me, that if I have strength in my abdomen,and I've learned how to relax my chest, my neck, and my throat, I know how to getto the next level. So, I cover all of this in my singing course called How To Sing BetterThan Anyone Else. Now, there's one more really important thing,and that is the psychology of how we get to those notes. Now, there's something calledvowel modifications. And in those vowel modifications, we want the throat to feel the path of leastresistance. We don't want the throat to go ooh, oh, ah, and have big changes in thethroat. We want the vowels to be very similar

How to Belt Singing Techniques Part 1

How to Belt Part 1Hi there everyone this is Kerri Ho from thesongbirdtree where we get grounded, take flight, and sing.Now today I'd like to address the question, how to belt. There is massive confusion outthere in terms of how to define what belt is and how to correctly access belt in yourvoice. Cause it's such a big topic, I'm actually gonna do this across two tutorials.So today what I'm gonna cover is, what is belting. And in order for me to be ableto explain what belting is. I will have to show you all the differences between all thedifferent parts of voice and of vocal registers. So that's essentially what I will covertoday. And then in my next tutorial, How to Belt

Part 2. I will then actually give some exercisesto show you how to access it properly. But it's very very important that you reallywatch this and understand the concepts behind it. Otherwise you will actually go about accessingit incorrectly. Okay so without any further ado, let's begin,so what is beltingé There's a myriad of examples of how people define belting. Butwhat I'm gonna say is this is definitely true of belting and this is something probablyall vocal coaches will agree on. Belting is a sound when you sing that is loud, it isvery powerful. There's gonna be a degree of some sort of edge in it. Depending on whatstyle you are singing. So if you are singing

rock for example, there will be more edgeto it. If you are singing some other genre like a Pop or musical theatre there is stilledge in it but depending on the song there might be slightly less edge in it. And a healthybelt has a good balance of both chest and head voice. So that's what belting is. So let me just show you what it sounds like,because sometimes that is still very confusing (just hearing the description) What does abelt actually sound likeé So I'm gonna show you on Beyonce, If I Were A Boy. That chorusspeed, I'll show you what it sounds like to belt that out (me singing). So that is ahealthy belt. If you can see that was loud,

that was powerful, there's a little bitof edge in it and there was a healthy mix of chest and head voice in that. So now thatyou understand what a belt is and what it actually sounds like. Let me now demonstratethe differences in vocal registers. Cause this will help you understand how to correctlybelt. So the first thing is obviously, Chest tone.So your chest voice is the part which is very close to your speaking voice. When I'm speakinglike this it's very comfortable, I'm not thinking much about it. And when we sing inour chest voice, it's pretty much very similar. It's the part of our voice which is reallyeasy to access and we pretty much do it without

thinking. So for example (me singing) it'sa thick good tone because it's lower in your range and then we of course move outto our head voice range. The high notes of your range it's characteristically thinnerin sound compared to chest voice, in a classical or operatic sense it will sound like this(me singing). That's a pure (I guess) head voice where you really feel the resonancehere (pointing to forehead). In a more contemporary setting (me singing) That's me singing inmy head voice. Now that you understand chest and head voice.Now let's talk about mixed voice. Once again a myriad of different definitions out there,that can be very very confusing but this is

really important because having a strong mixedvoice is basically what's gonna help you do a healthy belt sound. So a mixed voice(to me) has to have a blend of chest and head in it (that's why it called mixed) I'veheard other people say that mixed tone is basically your head voice but placed in themask. I actually don't agree with that. For example, just as I sang before in headvoice (me singing) that's my head voice. Now if I were to put that right here in mymask (me singing) Yes, it becomes a little bit more powerful and it's a little bitmore forward and out there. Which makes it sound a lot more (I guess) belty, but to methat doesn't have the edge it needs in it,

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