Private Singing Lessons Chester

How To Sing Better Tips To Learn How To Sing Better Today

How to Sing Hi. My name is Aaron from Superior SingingMethod and in this tutorial, I want to talk about how to sing. OK. How to sing, kind of a broad topic butI'm going to narrow it down. At the end of this, I want to give you a really good exercise,one of my favorite exercises that will get you a little farther down the road of actuallyhow to sing. But let's talk for a minute about how to sing. What does that even mean to learnhow to sing and sing betteré I break it down into sometimes three, sometimes four differentcategories but I will give you four right

now. Learning how to sing is learning the instructionpart. So right now, this is part of the instruction. I'm going to give you that vocal exercisebut just to give you a little bit of instruction about the voice and how it works and how singingworks because the more you know about the voice and how the voice works when it comesto singing, the more you can apply these techniques and concepts to singing and to the exercisethemselves to start shaping your voice the way you want it to be so you have the besttone, the most resonant, full kind of sound. You can hit the high notes, all that kindof stuff.

So instruction is the first part. The secondpart is then I guess kind of obvious is the exercises. You got to have the exercises becausethe exercises are just like the rest of your body. You need to work out, exercise to keepin shape and to be able to make your body do the things that you want it to be ableto do to have the flexibility and the strength to do what you want to do. Third one is systematic. Learning singingsystematically is really the way to go. The link below is I have an eightweek systematicprogram that you can check out at some point but I believe that systematic is the way togo because you learn the right thing at the

right time and you're not only systematicallydoing the exercises but you're also learning the things in the right order and doing thingsin the right amount of time and repeating there's a lot of repetition which leads meto the next one and that's just being consistent. Use the repetition to consistently build andbuild and build your voice. So those are kind of the four main thingsand just along the lines of that last one, the repetition is I know that's kind of thedifficult part, righté I think we live in a culture that we don't want to do thingsover and over and we don't want to like work really hard to get to things and I get thatand with these tutorials, my point and my goal

is get you singing as good as you could possiblysing as fast as possible for sure but it does take repetition and it takes time. As youdo the exercises, this one that I'm about to give you and other exercises of courseyou need a variety of exercises but this is a really good one. It's not just going to take once and you'regoing to sing better. You know that. Intuitively, you know you're not just going to get betterby, Oh, do this exercise for 10 minutes and I can sing better. But if you do it this consistentlyfor two or three days, a week, two weeks, those kinds of things, you will start it'snot like all of a sudden you will be like

the greatest thing in the world but you willnotice a marked improvement in your voice. You will see improvement and that will encourageyou to be more consistent and get more instructions. Do more exercises. Do the systematic thingand the consistency and repetition. So what I want to talk to you about today,the instructional part, and this is all instruction but the instruction part of the actual voiceand how it works. What I want to talk about is the larynx. This is one of the problemsthat most singers have is that when they go to sing high notes, what they're doing isthey're raising their larynx up. Maybe you do this as well. When I'm not paying attentionand I'm singing, sometimes I still even do

How To Increase Vocal Range For Males Part 1 Ken Tamplin Vocal Academy

Hi, Guys. Ken Tamplin from Ken Tamplin Vocal Academy, and I'm going to teach you a little bit about the voice, and voice lessons today. This is part 1 in a threepart series onHow to Increase Vocal Range for Males How to Increase Vocal Range, or How toImprove Vocal Range Well, that's a big subject, and there's a lot ofinformation floating around there that can be very, very confusing, and I'd liketo demystify this for you a little bit. There's really only one way to safelygrow your range, or improve your vocal

range, and this is how: First we have twocomponents: We have something called our quot;Chest Voicequot; and something called ourquot;Head Voicequot;, which is also interchangeably called quot;falsettoquot;. I don't want to go intoall the details, because some of these definitions can mean different things todifferent people. One person might call head voice quot;HEYYYYYYquot; or anything that resonates in the headwhile another person might call head voice quot;eeeeeeeeeeeequot; or anything thing that resonates in a falsetto register. So for my purpose, I'm going to use the term quot;head voicequot; to talk aboutreinforced falsetto, not just something

that resonates into the head, as whatclassically is termed quot;head voicequot;, OKé Now, So we have chest voice, and what we want to do is, we want to stretch and grow our chest voice as high as we can. Now, I cover this in my quot;How To SingBetter Than Anyone Elsequot; course, where first we stretch and grow a big,powerful, robust chest sound, and I'll demonstrate, let's do this together, witha nice, bright, quot;AHquot;, males, you're gonna start here, ladies, you're actually gonna be upand I'll show you where you would come in, in a minute. But we're gonna start with an quot;AHquot; vowel. Let's go: quot;Lah, ah, ah, AH, ah, ah, ah. Nice, Bright, Open Throat, where if you had a mirror you could look back in your throat

and your tongue will be dropped to the base of the jaw,and you're creating the maximum amount of space in the back of your throat, withgood diaphragmatic support, and relaxing and not letting the shoulders, the chest, neck, or throat create tension. LAH, ah, ah, AH, ah, ah, ahhh. Now, for most baritones, and high baritones, this is about the breaking point for you, where you feel so much quot;tugquot; in the throat, where you want to transition from your chest voice and quot;flipquot; into your falsetto. Now, ladies for the Alto and Contraltos, most of you start here. Lah, ah, ah, AH, ah, ah, ahhhh. Now ladies, most of you start to feel the tugaround the quot;Cquot;, the quot;high tenor Cquot; or

the D, and that's the D5, or the C5, the beginning of the C5 that's the highest note in the tenor range, or quot;one of the highest notesquot; in the tenor rangethe tender age of one of the highest in the tenor range is about where you startto feel that tug, where you wanna flip into your head voice. So what we do is we useour diaphragm and the strength in our abdomen, to relax our chest, our neck, and our throat, to have that nice, bright sound, with that Big Open Throat we just talked about, where the uvula and the softpalate in the back of the throat rises as we start to ascend these scales. Thisconcludes Part 1 on How to Increase Vocal Range for Males. Don't forget towatch Part 2.

Hey, Guys, Thanks for watching, and don't forget: I have a TON of killer tutorials on my channel. So don't forget to subscribe by clicking here also, if you'd like more information on Ken Tamplin Vocal Academy, you can click here. and if you want free access to my singersforums. click here. you can also find me on Facebook, Twitter, Google+ andPinterest. don't forget to LIKE my tutorials and don't forget to subscribe. Thank You.


if I can't show you how to do it, it can't bedone I guarantee it Hey guys, Ken Tamplin here, and we're back with Ken Tamplin Vocal Academy Here at Costa Mesa studios and we're getting ready tochoose off James Hetfield and Metallica. You knowthe song, it's called Sandman. It goes like this.

okay so, what we have here is, we havesomebody who's a very very throaty singer, and what he does is hethrows the sound to the front the cord; let me show you what I mean bythat. You go: Say your prayers Little One Yeah. yeah. and he,

what he does is he forces the sound,really bright, to the front of the cord. Now, if you're gonna do this sound, makesure that you're compressing your air, and you'renot letting too much care pass across the cord. So I'm actually holding my breath when Ido it. Say your prayers, Little One, don't forget my Son, to include everyonea! Righté So I'm actually compressing theair to keep it from blowing out and giving me freedom to goback up to higher notes and so forth,

so, anyway that's essentially it. Now, one morething I want to add: We did, and I did sing this multiple times, and the lasttrack you heard were my lead vocals on top as the main lead vocal track, but to get this sound, to get the soundof what most modern singers do, modernrock singers do now is they'll sing the track, the lead vocaltrack, like 4, 5, 6, 7, eight times. Now I happen to know Mike Tachie, personally, who actually recorded this album.

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