How To Sing Like Your Favorite Artists
Welcome. I'm Ryan Higa Professional singer and vocal stiloligerizerist and today i'm gonna be teaching you how to sing like some of your favorite artists. As much as you think you can't sing or as much as you know you can YOU CANT YET but by the time you finish this tutorial with enough work and effort in ONE DAY you might be able to sound like. THIIIIIIIIIIIIIIIIIS!!!! Not one lesson (guitar music)
The first artist you're gonna learn how to sound like Think of every tough guy you've ever met with a big ass chain. Now double that! That's how tough you gotta be when you rap like 2 chainz Once you've got that down all you have to do is rap about all things that are plainly obvious She got a big booty so I call her quot;big bootyquot; Or a line like this I'm in the kitchen. Yams everywhere Or.
All I want for my birthday is a big booty ho Yes those are actual lyrics from his song quot;birthday songquot; But really once you perfect your 2 chainz you can do it with anything I like this lamp yo that's why i purchased this lamp I'm in the kitchen. Not anymore All i want for my birthday is a big booty hole Oh! Gotta poop Gotta poop right now
Jt like to sing high so the technique here is simple you just have to grab your nuts hard. hard as the can I (grabbing those nuts hard) can't wait till I get you on the floor good lookin. HOW! AH! To sound like Nikki Minaj is simple all you have to do is rap while you're slowly leaning back on an excersize ball I said quot;excuse me you're a hell of a guy. I mean mymumumy you're hell a fly I mean you're so shy and i love you to tie just look at the guy when I think of his eyequot; ugh! So you wanna sound like beyonce.
Probably can't. It's a natural god given talent Just try to sound overly sexy almost to the point where it sounds like you're gonna cry but you don't As long as you love me Just pretend you're a good looking British singer and duplicate yourself Everyone else but you two! Lets see I'm probably gonna need about one two three.four more people for this part so. (duplicates) You guys readyé Five six seven eight Remember that when you are feeling sad
Just sound really lazy like you don't even feel like rapping today STARTED FROM THE BOTTOM NOW WE HERE! Lazier! Much lazier than that! Started from the bottom now we're here! LAZIER! Started from the bottom now were here Look your alarm clock just woke you up at 6:00 am morning and now you have to go to school Started from the bottom now the whole team here
How to read music Tim Hansen
When we watch a film or a play, we know that the actors probably learnedtheir lines from a script, which essentially tells themwhat to say and when to say it. A piece of written musicoperates on exactly the same principle. In a very basic sense, it tells a performer what to playand when to play it. Aesthetically speaking,there's a world of difference
between, say, Beethoven and Justin Bieber, but both artists have used the same building blocksto create their music: notes. And although the end resultcan sound quite complicated, the logic behind musical notesis actually pretty straightforward. Let's take a look at the foundationalelements to music notation
and how they interactto create a work of art. Music is written on five parallel linesthat go across the page. These five lines are called a staff, and a staff operates on two axes: up and down and left to right. The upanddown axis tells the performer the pitch of the noteor what note to play,
and the lefttoright axis tells the performer the rhythm of the note or when to play it. Let's start with pitch. To help us out,we're going to use a piano, but this system works for pretty muchany instrument you can think of. In the Western music tradition, pitches are named afterthe first seven letters of the alphabet,
A, B, C, D, E, F, and G. After that, the cycle repeats itself: A, B, C, D, E, F, G, A, B, C, D, E, F, G, and so on. But how do these pitches get their namesé Well, for example, if you played an F
and then played another F higher or lower on the piano, you'd notice that they soundpretty similar compared to, say, a B. Going back to the staff, every line and every spacebetween two lines represents a separate pitch. If we put a note on one of these linesor one of these spaces,