Lesson Plan Music Texture

How To Sing Better Tips To Learn How To Sing Better Today

How to Sing Hi. My name is Aaron from Superior SingingMethod and in this tutorial, I want to talk about how to sing. OK. How to sing, kind of a broad topic butI'm going to narrow it down. At the end of this, I want to give you a really good exercise,one of my favorite exercises that will get you a little farther down the road of actuallyhow to sing. But let's talk for a minute about how to sing. What does that even mean to learnhow to sing and sing betteré I break it down into sometimes three, sometimes four differentcategories but I will give you four right

now. Learning how to sing is learning the instructionpart. So right now, this is part of the instruction. I'm going to give you that vocal exercisebut just to give you a little bit of instruction about the voice and how it works and how singingworks because the more you know about the voice and how the voice works when it comesto singing, the more you can apply these techniques and concepts to singing and to the exercisethemselves to start shaping your voice the way you want it to be so you have the besttone, the most resonant, full kind of sound. You can hit the high notes, all that kindof stuff.

So instruction is the first part. The secondpart is then I guess kind of obvious is the exercises. You got to have the exercises becausethe exercises are just like the rest of your body. You need to work out, exercise to keepin shape and to be able to make your body do the things that you want it to be ableto do to have the flexibility and the strength to do what you want to do. Third one is systematic. Learning singingsystematically is really the way to go. The link below is I have an eightweek systematicprogram that you can check out at some point but I believe that systematic is the way togo because you learn the right thing at the

right time and you're not only systematicallydoing the exercises but you're also learning the things in the right order and doing thingsin the right amount of time and repeating there's a lot of repetition which leads meto the next one and that's just being consistent. Use the repetition to consistently build andbuild and build your voice. So those are kind of the four main thingsand just along the lines of that last one, the repetition is I know that's kind of thedifficult part, righté I think we live in a culture that we don't want to do thingsover and over and we don't want to like work really hard to get to things and I get thatand with these tutorials, my point and my goal

is get you singing as good as you could possiblysing as fast as possible for sure but it does take repetition and it takes time. As youdo the exercises, this one that I'm about to give you and other exercises of courseyou need a variety of exercises but this is a really good one. It's not just going to take once and you'regoing to sing better. You know that. Intuitively, you know you're not just going to get betterby, Oh, do this exercise for 10 minutes and I can sing better. But if you do it this consistentlyfor two or three days, a week, two weeks, those kinds of things, you will start it'snot like all of a sudden you will be like

the greatest thing in the world but you willnotice a marked improvement in your voice. You will see improvement and that will encourageyou to be more consistent and get more instructions. Do more exercises. Do the systematic thingand the consistency and repetition. So what I want to talk to you about today,the instructional part, and this is all instruction but the instruction part of the actual voiceand how it works. What I want to talk about is the larynx. This is one of the problemsthat most singers have is that when they go to sing high notes, what they're doing isthey're raising their larynx up. Maybe you do this as well. When I'm not paying attentionand I'm singing, sometimes I still even do

Elements of Art Texture KQED Arts

MIDTEMPO DRUM BEAT PLAYS MIDTEMPO MUSIC PLAYS Narrator:WE TEND TO THINK OF ART AS SOMETHING JUST TO LOOK AT, BUT A LOT OF ARTISTSMAKE THEIR WORK TO STIMULATE OUR OTHER SENSES. SCULPTORS,TEXTILE AND FABRIC ARTISTS, BOOK MAKERS, CERAMISTS,AND ARTISTS

WORKING IN MANY OTHER FORMS THINK A LOT ABOUT HOW TO ENGAGEVIEWERS' SENSE OF TOUCH. EVEN WHEN THEIR ART IS NOTMEANT TO BE TOUCHED, ARTISTS PUT A LOT OF THOUGHTAND WORK INTO CREATINGMANY DIFFERENT TEXTURES. TEXTURE IS ONE OF THE SEVEN ELEMENTS OF ART, ALONG WITH LINE, SHAPE, COLOR,

FORM, VALUE, AND SPACE. TEXTURE IS THE LOOK OR FEELOF A SURFACE. JUST LIKE FORM,TEXTURE CAN BE REAL OR IMPLIED. IF YOU WERE TO RUN YOUR HAND ACROSS THIS SCULPTUREBY ALBERTO GIACOMETTI, YOU WOULD FEEL THE HARDNESSOF THE BRONZE METAL AND THE ROUGHNESS OF THE FORMTHAT GIACOMETTI CREATED. THIS IS CALLED ACTUAL TEXTURE.

IMPLIED TEXTURESARE ONLY VISUAL. THEY CAN'T BE FELT. FOR INSTANCE,IF YOU COULD TOUCH THE CANVAS OF THIS SELFPORTRAITBY CHUCK CLOSE, YOU WOULDN'T FEEL THE VARIEDTEXTURES OF SKIN AND HAIR. YOU WOULD FEEL THE SMOOTHNESSOF THE OIL PAINT. SO THESE TEXTURES ARE IMPLIEDBECAUSE WE CAN ONLY SEE THEM. THERE ARE COUNTLESS WAYS THATARTISTS CREATE IMPLIED TEXTURES.

HOW MANY DIFFERENT KINDSOF LINES DO YOU NOTICE IN THIS PAINTINGBY ROY DE FORESTé YOU HAVE THE ZIGZAG LINES CREATING A WOMAN'S HAIRON THE LEFT, CROSSHATCHINGCREATING HER SKIN, THE BLURRED, SMUDGED COLORSCOMING OUT OF THE DOG'S MOUTH AND THE MAN'S MOUTHIN THE CENTER. THOSE ARE JUST TO NAME A FEWKINDS OF IMPLIED TEXTURES HERE.

TEXTURES CAN ALSO BE CREATEDTHROUGH USE OF SHAPES. IN THIS PAINTINGBY GUSTAV KLIMT, NOTICE HOW HE REPEATS SHAPESTO CREATE TEXTURES. YOU HAVE THE TRIANGLES AND LINES ON THE WOMAN'S DRESSON THE LEFT, THE MANY SPIRALS CREATINGTHE TREE IN THE CENTER, AND IN THE WOMAN'S DRESSON THE RIGHT, YOU HAVE CIRCLES WITHIN CIRCLES,RECTANGLES WITHIN SQUARES,

Touch A Five Senses Song

Skin, skin We're covered in skin We're in our skin Skin gives our sense of touch Skin, skin We're covered in skin Skin can touch so much Touch is feeling hot or cold

Touch is feeling rough or smooth Touch is feeling hard or soft for me Skin, skin we're covered in skin Skin gives our sense of touch Skin, skin We're covered in skin Skin can touch so much Touch is feeling hard or soft

Touch is feeling hot or cold Touch is feeling rough or smooth Let's see What do these feel likeé Is the kitten's fur hard or softé Is a rock hard or softé Is ice cream hot or coldé Is a pine cone rough or smoothé

Usually, we touch things with our fingers but we can touch things with other parts of our body have you ever touched anything with your toesé how did that feelé Skin, skin We're covered in skin Skin gives our sense of touch Skin, skin

We're covered in skin Skin can touch so much Touch is feeling rough or smooth Touch is feeling hard or soft Touch is feeling hot or cold for me. Skin, skin We're covered in skin Skin gives our sense of touch

Skin, skin We're covered in skin Skin can touch so much.

1 Star2 Stars3 Stars4 Stars5 Stars (7 votes, average: 4.00 out of 5)
Loading...

Leave a Reply