How To Sing Good 3 Easy Tips For How To Sing Good
Hi there. Aaron here from Superior SingingMethod and in this tutorial, I want to talk about how to sing good. OK. How to sing good. The ironic thing aboutthe statement how to sing good is it is bad grammar. So let me just get that out of theway first. How to sing well, yeah, that's better grammar. So this is not a grammar lesson.This is actually a singing lesson so let's jump into that. How to sing well, how to sing good. Firstof all, at the end of this, I want to give you a good vocal exercise that will help youto be able to sing well and it's one of my
favorite ones. It's a good warmup exercisethat will kind of get you going in the morning as well. It's the only one you do. It's agood one to start with. So how do you sing wellé What are the different things that ittakes to learn how to do thaté First of all, understanding the voice. Thereare two probably yeah, three main things I think. It's like understanding the voice,learning proper technique and doing vocal exercise. So last one I'm going to give youis that vocal exercise. So understanding the voice, what does that meané Things like nasality. A lot of people whenthey sing, they sing and it just sounds kind
of like this. It sounds nasally and nasallydoesn't come across. It doesn't sound very good and nobody really wants to hear a nasallysinger. So understanding the voices, understandinghow to for example, it would be how to get rid of the nasality in your voice and it couldbe a lot of things but mostly it's probably the soft palate and I won't go too much intoit now. But soft palate is just beyond the hard palate which is the roof of your mouth.Soft is set behind there and usually nasally means soft palate is down too low. So understanding the voice, understandingthat the voice is a delicate instrument, understanding
that when you yell and you're like tryingto belt a note, like that, that puts a lot of strain on your voice and doesn't soundgood with tone but it also can hurt your voice. So just understanding those there is a lotof things to understand about the voice. These are just a couple of examples. The second thing is learning proper technique.Proper technique is things like learning how to breathe from your diaphragm. Breathingfrom your diaphragm is taking a just to give you a little, tiny glimpse of what it is,it's basically having proper posture, taking that complete breath and allowing your diaphragmto descend, creating space for your lungs
to be able to expand and your stomach cavityand as you sing, the tendency is to let your chest kind of collapse, to fall like that.But instead of doing that, keeping your chest nice and high, like kind of just like I amnow, not super high. Those are some of the basics of learning howto diaphragm breathe. So that's learning the proper techniques and there are a lot of techniquesof learning how to sing but that was just one example. So it's understanding the voice, learningproper technique and then doing vocal warmups. Vocal warmups are important because yourvoice is made of muscle and cartilage and
you need to build up those muscles to be ableto manipulate the notes the way you want to and to be able to sing all the things youneed to sing and know what your voice is going to do when. You need to strengthen those musclesso that they respond the way that you want them to respond when you're singing, rightéRight. So let's get to the voice exercise. This isa good one. It's one of my favorites as like a morning exercise. It's going to be Zs, Zs,We're going to do Zs on just basically five notes descending. So it's going to be vocalexercise. I started a little low. I will start a little higher. vocal exercise Dothat with me. vocal exercise And then you
How to sing Riffs and Runs Its SO EASY the step by step method
Okay, were actually going to try some riffs this particular tutorial I'd like it to be veryinteractive and when I actually perform an exercise, I'll leave a bit space for youto go ahead and try it. I'll slow the riff downAnd we'll speed it up as we go, and just be very progressive about it alrightnow there is another tutorial entitled Rhythm and riffsand i presented a riff, a five note sequence, that is very commonly usedfor the intents and purposes at this particular clip will use the key ofEflat major and perform the same riff alright
so here's E flat major.Alright so that's Eflat major We'll perform this riff on the 5. If we wereto use the number system, this would be the 1and this would be the 5 so here we goaahhh, alright so that's the rif, aahhh and it's performed on the 5, of the number system, aahhhtry it, go ahead, it's a 5 note sequence, aahhhAlright
How to Do Riffs and Runs With Your Voice Felicia Ricci
Hey friends, today we're going to be talking about riffs and runs. (vocalizes) And I'm going to give you three strategies to ensure that your riffs are clean, supported, and just sound really cool. Now admittedly, I'm not the best riffer in the world but through my struggles I come up with some really, I think succint and helpful approaches that are gonna get you to break through some of those technical walls. So quick intro, my name is Felicia.
You can call me Fel. I'm a professional voice finder, I help you find your voice. By linking your mind to your body and giving you the simplest and most potent cues that are gonna give you real results for your voice fast. Reusing the imaginary riff that I made up, it goes like this: (riff sound) Okayé So.
(riff sound) Okayé That's just whatever. I'm just basically breaking down the principles of riffing that make it successful and how you can sort of achieve them yourself. So the first principle that makes riffing possible is that when you're riffing, you're using a very small amount of vocal chords. It's a very small feeling and it's basically if you, the way your voice works if your folds come together like this when you sing (both pink fingers closing and opening as example).
And when you riff, you use the inner most part of your chords and that's really the most agile part of your voice and that sort of allows you to kinda dance along the tops of the notes. (riffing sound) It's like very light versus (riffing sound) versus a sound that's very big and uses a lot of chords. So in order to make that focused feeling of using a smaller amount of chord easier for you,
it actually helps to practice your riffing on narrow vowels. A narrow vowel would be like an 'e' or an 'ohh' versus something like an 'ah' or an 'uh'. If you try your favorite riff on an 'ah' (riffing sound) Now that's achievable. But it's a lot harder to start there, so I suggest you take your favorite riff and you create an 'ohh' sound. Now as you do that 'ohh', make sure you're kinda laughing or yawning on the back of your throat
but you're funneling it forward and what it helps to do is just reinforce that feeling of a narrowfocused sound, and then on top of that, I want you to keep it very small and soft. (riffing sound) It's just a lot more achievable. So what's the baselineé Now, when you're using the small amount of chord what's also happening in a successful riff is that