How To Sing Like Your Favorite Artist pt2
Hello, and welcome. I'm Ryan Higa, professional singer and vocalstiloligerizerist. You might remember me from How To Sing Like Your Favorite Artist part 1. Well this one's completely different. It's not as good. With that being said, welcome to How To Sing Like Your Favorite Artist part 2. Remember that scary movie quot;The Grudgequot;é Make the sound that the little girl in quot;The Grudgequot; makes.
(groaning) Just sing like you normally would sing. â™ª When I met you in the summer! â™ª .and add the little Grudge girl sound. â™ª When I met you in the summer. â™ª â™ª To my heartbeat sound. â™ª â™ª We fell in love. â™ª â™ª As the leaves turned brown. â™ª
grunting noises In order to sound like The Weekend, you have to literally make your face frozen to the point where it's numb and you can't feel it anymore. â™ª I can't feel my face when I'm with you. â™ª And once you get the frozen face down, all you have to do is act like you're sad and depressed.
â™ª I'm just tryna get you out the friend zone. â™ª And if people can't hear you, just use a megaphone. â™ª I only call you when it's half past. â™ª In order to sound like Fetty Wap, just sing as if you just got hit in the nuts. Or for girls to relate, just make the sound you make when you cut wind. You know, when you get the wind knocked out of you, you make the sound that's like stressed inhale and then just sing like that. Fetty Wap.
Auuugh! â™ª Baby won't you come my wayé â™ª grunting You know when you're yawning and you still try to talk; that sound it makesé yawning All you have to do is sing, while you yawn. yawning â™ª You and me we made a vow. â™ª
â™ª You say I'm crazy. â™ª â™ª And you don't think. â™ª laughing You know when you're a little kid where you're on the verge of crying but you do your best to try and suck it upé You know, the borderline where you're trying to fight back your tears, because you know once you start crying, you're not gonna be able to stop.
Singing Lessons For Beginners The 5 Laws Of Singing Learn Singing with Ken Tamplin
Hey, Guys! Ken Tamplin from Ken Tamplin VocalAcademy and I'm here to talk about the Five Laws of Great Singing.First: SUPPORT. What is thaté Everyone talks about support. â€œDiaphragmatic Supportâ€�.It's actually your whole abdominal cavity, not just the diaphragm, and it's when wetake a breath, we take a breath like this: Our stomach, when we take a breath in goes(stomach comes out). When we breathe out, we push down, kind of like we're going tothe bathroom. . or doing a situp. Let's do it againâ€¦ inâ€¦ outâ€¦ and we push down.And we use this as the engine that drives our â€œcarâ€�. It's the most important part, which is Diaphragmatic Support, or Abdominal
Support. Second: Vowel Placement. The ONLY sound thatTruly Grows the Voice is a Bright Ping, or a Bright Timbral Sound. It's not â€œhuuuuuh,huuuuuhâ€� or a froggy sound. It's a real bright AH! It's the LAH!! AH!!! Like the wants to see your tonsils in the back of your throat. So the throat should be OPEN.It's called Open Throat Technique. And the tongue should be completely flat to the baseof the jaw, to keep any stricture away from the back of the throat, like this. â€œLAAAAAAAAAAAAAAAH!â€�So that you can tell â€œLAAAAAAAH!â€� that it's completely open, it's very bright,and that brightness, or that PING is truly
the only real sound that grows the voice.Third: Air Management or Breath Management, Breath Control. I'm not going: â€œHAAAAAAAAAAAAAA!â€�and killing you with sound. I'm controlling my air, I'm using my diaphragm to do allmy work, it's the engine that drives my car, and I'm holding back my air and lettingresonance take over because my wellplaced vowel sound of â€œAHâ€� the way I just didit, â€œLAAAAAH!â€� is able to resonate and relax into the sound.Fourth: Stress Management or Stress Relief. I didn't go â€œLAAAAAH!â€� I don'tfreak out and actually close down on my body and tense up. What I do is I relax to thesound. â€œLAAAAAH!â€� I relax to the sound
so that I can use my diaphragm to do all mywork for me. It's my muscle, the engine that drives my car, that relaxes this openthroat technique. Finally, Fifth: The Psychology of Singing.If you freak out, and you worry about the high note, because you don't know how toget there. It has to do with the way you relax and think about the notes themselves, in orderto be able to get into good vowel placement, and understanding how to build chest, headvoice, and a mixed voice inbetween, to get you through the passagio, which is the passageway,from â€œLAAAAAAAAAAHâ€� to get through that passageway to provide you the ability to singseamlessly, endtoend, with a lot of notes
that you can control if you apply these factors.Thank you for joining me.
How To Sing Vibrato Tips To Learn How To Sing With Vibrato
Hi. Aaron here from HowtoSing and I wantto talk to you about how to sing vibrato. What is it first of allé Vibrato is basicallyan oscillation between two pitches. So it oscillates and just basically going back andforth between two pitches at a pretty high rate. In fact the six oscillations per secondis actually right around where you want it because otherwise, you have what's calleda wobble when you go too slow. It's like demonstrates the wobble and then if you go too fast, it'smore like a machine gun. It's like demonstrates fast oscillation. You don't want that either. So it's somewhere kind of right in betweenthere. How do you do ité I think the best
way to do it is actually through mimickingother things but let me just say first of all that less is more with vibrato once youdo get it. I think that less is certainly more depending on what style of music youdo obviously. With opera and classical music, there's alot more. It's a lot more pronounced and it's like on every syllable practically and that'sfine but with my more like pop and top 40 and even RB and a lot of the styles thatI'm guessing you would be more interested in singing, less is more. It's more of anaccent. It's more of a coloring than anything else that I think what sounds good.
So it happens when you have relaxed chordsfirst of all. So a big part of it is just relaxing your voice. It is part of a naturaloverflow of a healthy voice but it doesn't mean it necessarily just comes naturally.It is something that you can control but when you try to control it too much, when you tryto force it, that's when you get kind of the wobble or the 0:01:36 Indiscernible. Itis not a bouncing in the stomach that breathes rapidly something like that although thatcan be a way to begin to transition into an actual vibrato which is what I mean when Isay kind of the mimicking. If you've mimicked say like a car starting,like mimics car engine, a car that won't
start very well mimics car engine, you cankind of actually when you mimic that, you get your voice in a way that it begins toget the feeling of the oscillation. Even though that's not necessarily vibrato, it kind ofstarts creating some muscle memory of how to actually do vibrato. Another one from a car starting is also likemimicking when kids like mimic a ghost, they're like, Whooo, kind of that sound. It's actuallya good beginning to start to learn vibrato too, so through mimicking these things; evenmimicking opera. I remember when I was a kid, I didn't understand opera so I would mimicand go like, Ooohhh! whatever and after all
that mimicry, you could actually begin todevelop an authentic vibrato. So hopefully that helps, some tips to kindof get you around in that direction. I think even like a real kind of subtle vibrato Ithink is kind of best anyway. It's not just like big and pronounced but just like, Aaahhh,something like kind of just slipping within there. I think it's really good. Anyway, I'm at HowtoSing . As I said, thelink is actually right below and there's a lot of other tips and tricks in there anda lot of free articles and just good information that could help you out. If you want to come,click over there and check me out. I also
put up a tutorial about how to sing high notes.It's about a 10minute tutorial, kind of packed with information on how to sing high notesbut how to specifically sing high notes without strain which is really the problem with highnotes. So go ahead and click on the link below orcheck me out at HowtoSing and I will see you there.