Learn To Sing Punjabi Songs

Ep 33 How to Sing Mix Part 1

How to sing mix, or how to sing with a mixis a very common question. Inside this tutorial, I'll define and demonstrate mix. Warning:normally I try to avoid this, but in this tutorial I get a little 'geeky' about singing.(Vocal geek) Hi, I'm Chuck Gilmore with Power To Sing. How to sing in a mix. Well, whatis a mixé A mix is a mixture or blend of at least two things. When singing, you're ina mix if you have a mixture of chest voice and head voice. Ahahah. If you sing onlywith chest voice, you have no mix. Ahhhh. If you start in chest and sing higher andbreak or flip into falsetto, you have no mix. Ahahah.because you've lost the connectionto your chest voice. If, when singing, you

bring falsetto down into the area of the chestvoice that is supposed to be chest, there is no mix. It's only falsetto. Ahahah. Amix can only exist if the vocal cords remain connected. If your vocal cords break intofalsetto and you do not reconnect, you have no mix. It's only falsetto. Ahahah. Mixis made with connected vocal cords and a blend of chest resonance and head resonance. Now,where is mix in the voiceé There are several schools of thought about when and where you'rein mix. Some define mix as only occurring in the vocal bridges, passaggi. When singingin chest voice, as you sing higher, and while keeping the vocal cords together, the resonancebegins to move higher from your chest into

your head cavities. The resonance splits sothere's a mixture, or a mix of both chest and head resonance. This split occurs in thebridge or passaggi. After getting through the first bridge the singer encounters a secondbridge and then a third bridge. For women, there are even more bridges. With each bridge,there is a blend of overtones from the register below and the register above. Lower overtonesdamping, or dropping out and higher overtones coming in. As a result of this process, manybelieve that mix is only occurring in the actual bridges. Some believe if the vocalcords remain connected while the resonance has split into both chest and head cavitiesthat mix is always present, both in and in

between the bridges. In other words, everythingis mix. At this point in my singing and teaching, I think it's a combination of these two. Pavarottiis reported to have said that singing was like a repeating figure 8. Seth Riggs concluded,and I believe like Seth, that Pavarotti was describing the repeated narrowing into thebridge and the opening into the new register and so on upward. In my opinion, if the vocalcords remain connected, there's always some chest residue, even if it's very slight. Soeven in the highest head voice, if the cords have remained connected, that seems like mixto me, even if it's 100 to 1, it's still a mix. At a certain point, if the cords remainconnected, does it really matter if we say

it's mix or connected super head voiceé Theproblem is, what happens to mix when you sing down below the first bridge into chesté Well,you could definitely bring mix down into the chest register. So, I understand how thatcan be mix, but in most voices, you can only do that so long before the chest voice takesover. How, then, can that be a mixé A third concept that has helpful for me, is 'maintainingthe verticalquot;.(Vocal Geek) This is mentioned in the book, quot;The Voice of the Mind', by E.HerbertCaesari. Imagine a vertical sound beam started by the vocal cords and shootingupward into the mouth. In head voice, this resonating sound beam, if it maintains thevertical direction, will angle slightly backward

and penetrate into the head cavities abovethe mouth. Ahhh. Ahahah. In chest, there is still a vertical sound beam, but it beginsto angle slightly forward and engage the hard palette. In my opinion, to lose the verticalwhile in chest voice, is to grab the vocal cord, squeeze and close the throat and jamthe sound beam down into the throat. Ahahah.Ahhh. The tone can barely escape and has no roundness,no fullness and no appeal. To me, this is not mix. Maintaining the vertical, even ifcompletely in the lower chest voice, creates an upward lift in the tone. The sound beamresonates on the hard palette appropriately. This seems to recruit more than just chestvoice by adding a rounder, fuller tone, as

Singing Lessons For Beginners Learn How To Sing For Beginners Ken Tamplin Vocal Academy

Singing Lessons for Beginners. So you want to learn how to sing, or you want to start to learn how to sing. Well, I want to help you on your journey to understand some of the most basic, fundamental, andrudimentary things that takes a basic, or nonsinger into a decent singer, or even a great singer.And these are nonnegotiables, these are things that we all have to do, no matter what levelof singing we are, these are things that really help us on our journey for singing.So the very, very first thing is: Pitch. Now I want to talk about breath support and vowelplacement, and we'll get into some of that, but pitch. can you carry any kind of a tuneéYou know, can you sing quot;Happy Birthdayquot; or

can you sing a simple nursery rhymeé That'skey, and then, basically holding that pitch will help us determine how well you're goingto be able to translate this and grow quickly on your journey for singing. So I'm goingto take us through some simple scales and I'm going to do a male version and a femaleversion, so hang in there, I'll do the girls second, but the basic things are this: Thefirst thing is posture. We want to sit up straight. We don't want to get our spine tippedin any direction. We don't want to look up at the ceiling when we're going for high notes,or look down. We want to have a good command of our breath. Alright, so I'm going to havesome scales and I'm going to have you match

the tone of the scale with a very, very simplearpeggio, which is just a threenote chord, and I'm going to go through these notes verysimply and show you how you can start your journey for singing. So we want to open upour mouth, quot;AH, AHquot; we're going to do the AH vowel, and there's several vowels thatyou have to work to build muscle memory so that this becomes second nature, but for starters,we're just going to build some simple muscle memory. We're going to take a breath from our belly,from our abdomen, not from our chest like this. We want to take a breath from our belly,as best as we can, and then I have a whole section on diaphragmatic breathing on my websiteso if you're interested, I have all this in

my singing course called quot;How To Sing BetterThan Anyone Elsequot;. So, to get started, I'm going to do the meanaverage of the male voice, which is the baritone, or high baritone register, so we're goingto start with an AH vowel, and we're going to do something very simple. We're just goingto go quot;Lah, ah, ah, ahhh, ah, ah, ahhhhh.quot; And what we want, is we want to match that tone,so try to match the tone with me. quot;Lahhhhhhhhhhhhquot;. Andif you can, Open Up the Back of your Throat as wide as possible, that's comfortable, andtry to hear that nice, bright Ping. AHH, it's not uuuu, o uhhhh. righté It's AHHH!Lah, ah, ah, AHHH, ah, ah, ahhhhh. we're

going to move up the scale. Lah, ah, ah,ahh, ah, ah, ahhh. and we'll move it up a little higher. Try to match the tone.Lah, ah, ah, ahh, ah, ah, ahhhh. Remember to take your breath. The breath is very important.It's the engine that drives your car for singing, so take your breath, Lah, ah, ah, ahhh, ah,ah, ahhh. Now this brightness and this tone is actually the only true sound that reallygrows the voice. So it keeps us from strictures in the back of the throat, so it's not uh,uh, uh, uh, uh. (froggy voice sound) . and getting, choking on our vowel sounds, gettingcaught on the cord in the vowel, so let's continue.Lah, ah, ah, ahhh, ah, ah, ahhh.

Now what you want to do is try to match thistriad or this threenote chord that I'm singing in order to be able to get into that pitchand really use your stomach to do it, so I want you to take a breath between each oneof these phrases that we're singing. Then I want you to totally relax, and then I wantyou to keep that throat open every time you go to sing one of these scales, so it actuallycan start to develop this good, open throat technique, for on your journey to begin, forlearning how to sing. So, Ladies, the same is true for you.Now girls, you usually blow a lot more air than guys, so your challenge is to, insteadof going. and I'll start where a mean average

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