How to Sing Valerie Amy Winehouse Cover Tori Matthieu Ken Tamplin Vocal Academy
Hey guys welcome back again to Ken TamplinVocal Academy, where the proof is in the singing. I'm here with my amazing student, Tori Matthieu,and we're doing takedowns of different songs today. We're going to do Amy Winehouse.The song's called Valerie. We'll do it first. We'll talk about it after, likewe always do. Let's rock! Amy Winehouse. Whooh! Nice job, girl! Man, that was good.Thank you. All right, so basically, we're doing a lotof different stuff, from Alicia Keys, Stevie Wonder, Amy Winehouseâ€¦ And what's interestingabout this is not so much that we're just doing a bunch of cover songs, but it's howTori finds herself in the song, and actually
represents that art with her own touch, herown flair, but to be able to sing in a lot of different styles, because what this doesis to give you a lot of tools for your toolbox for singing. So, we're going to be working upon, actually, some original material, too, so be watching out for that. Anyway, this is KenTamplin Vocal Academy. If you like what you see here, please like and subscribe to mytutorials. Also, I have a killer course, you can check it out here. It's called â€œHowTo Sing Better Than Anyone Elseâ€� and I have a singer's forums. It's free. There areover 6000 members you can join at Ken Tamplin Vocal Academy, and just come by and say hi,and get your vocal questions answered. So,
until next time, Tori Matthieu, Amy Winehouse,Valerie, and Rock!.
polyphonic overtone singing AnnaMaria Hefele
Hello, I am AnnaMaria, and I'm an overtone singer, and I'm going to tell you something about polyphonic singing today. Overtone singing is a voice technique where one person sings two notes at the same time. singing So, this was the overtone scale on one fundamental I can also choose an overtone and
move the fundamental. singing So, I can choose the fundamental and have the overtone scale or I choose an overtone and have the undertone scale. If I want to sing a special melody and there are melody notes
that don't fit to the overtone scale from one fundamental then I need to find another fundamental to sing this note And for that, there are often different possibilities and I choose this fundamental
that fits harmonically best with the melody line And for polyphonic singing there are different possibilities to build scales and to move notes So, I can move the overtone with the fundamental, in parallel singing Or I can move the fundamental in steps.
singing Or in smaller steps singing Or even smaller singing I can also move the overtone and the fundamental in the opposite direction. singing
And that scale also works in major. singing And with these tools, I can sing, for example, folk songs in polyphonic solo voice. singing Thanks for watching.