Learn To Sing Easy Tips To Learn How To Sing
Hi. Aaron here from HowtoSing and I wantto talk to you today about learning to sing. What is it to learn to singé What are thefactors of learning to singé First thing is, Can anyone learn to singé That's a questionthat many people have. Maybe you yourself have. You kind of wonder, 'Do I have whatit takesé Do I have enough talenté Maybe you don't feel like you're super talentedor you weren't born with a ton of talent. You can kind of sing but you're just not reallysure if you can actually do it on a professional level or whatever. You're just not sure ifyou can even learn to sing. Let me just say this, that I believe anybodycan learn to sing because learning to sing
is two main factors. There's kind of a learningpart, the knowledge part, the more cognitive part I guess and then there's the exercise,kind of the more practical, the handson part. So the exercises, the vocal exercises, thewarmups and the strengthening exercises and then the knowledge is like the tips and tricksand all the stuff that you kind of have to know about the voice that will help you singbetter faster. The cool thing about the knowledge part, you think, 'Well, let's just do theexercises and get to developing the voice. That is awesome and that's a really, reallybig factor of singing because the knowledge part in some ways helps you learn to singbetter faster because certain tips and tricks
if you just do, you can know it, apply itimmediately and be singing better. One is if you know what's good posture, youwill have better breath support and better control of your singing. You will immediatelysing better just for having better posture or if you know your tongue is supposed torest on the back of your teeth during all vowels, you're going to have better tone immediately.All you have to do is remember it, apply it and you will be a better singer already. Butfor sure, the exercises to develop your voice just like any other muscle in the body needsto be toned and developed in order to perform at its peak level. The voice is made up ofmuscle, many muscles. Cartilages as well but
many muscles and that as you build those up,you get better coordination, better control and ultimately become a better singer. Sothose are the main two factors on learning to sing. I do want to give you â€“ I will give youtwo quick exercises pretty similar but just talk for a second about that. But before Ido, let me just say that as far as learning how to sing and if you want to seriously learnhow to sing, my recommendation is to take an online singing lesson program that is likea complete systematic kind of step by step program and you can go to my site at HowtoSing .I've actually got a ton of other tips and
tricks and have a tutorial up there of how tosing higher with less strain in your voice also but I also tell you what my favoriteonline singing lesson program is and you can check that out. Real quick before you go, let me just giveyou a singing exercise too. It's the same exercise but two different vowels. The firstis the E vowel. The E vowel is a narrow vowel which basically means it's going to be easierto get into your different ranges with a narrow vowel. With an open vowel, it's harder toget into your higher ranges without going into falsetto or into like an airy kind ofvoice.
So you start off with the E and with the E,this narrow vowel, I want you to go vocalizes and take that first note up vocalizes. Takeit up again vocalizes. So basically just start where you're comfortable kind of inthe middle. Take it up to what I just would say as like a one, two, three, two, one andthen keep climbing and keep climbing and keep climbing and that E will actually help youget up into your head voice and to your higher range without your voice cracking or breaking. Now once you get the E down, you can do eitherâ€“ you can do an 'ah, an 'ih or an 'eh â€“ 'ih or and 'ah. The 'ih is just a little lessnarrow and the 'ah is a little less narrow
Learn How To Sing With The Head Voice vs The Falsetto LESSON 14 Craig Shimizu Voice
This is Craig from Shimizu Voice again. Thisis a little different look because I just thought about this lesson and wanted to putit down. Couldn't wait for my natural lighting. It's the afternoon time now. It's toolate for natural lighting because I would be blasted out. In fact, let's see whatthat looks like. This is what happens would you should thetutorial in the afternoon. Hi, this is Craig from Shimizu Voice. Andtoday I'd like to talk about the head voice versus the falsetto. A lot of controversy.they have difficultydescribing it. There's a definition that,
that you go by, by, in terms of the actualmovement of the, the actual position of the vocal folds itself to produce the, uh, falsetto.I think the best definition so far is that the falsetto is using the outer edges of thevocal folds and the inner stronger parts of the muscle of the vocal folds doesn't move,are relatively inactive. And you're just using the outer portion of the vocal folds. The falsetto is what most people describeas that fluty type of weak sounding breathy high voice. I was going to say head voicebut then that's what the controversy is. So, falsetto would have this kind of sound.Haaâ€¦ Haaâ€¦
So, one of questions I have is that when,if I try to power up that sound, then, um, I get something likeâ€¦ ahhâ€¦ When I'm trying to demonstrate how sopranossingâ€¦ ahh So I make that sound. To me that was alwaysa strong falsetto. Cause the head voice is more like aâ€¦ ahhhâ€¦. ahhhâ€¦ ahâ€¦ So when that gets strong, it's likeâ€¦ ahhh.ahhh.ahh The falsetto, strong is â€¦. ahhh. Ahhh. Falsetto, strong is â€¦. ahhh. Head voice,strong is â€¦. ahhh. Chest voice.ahh.ahh.
The thing that gets me is when people aredemonstrating the falsetto, they say it's a light kind of sound. Haaaâ€¦.haaaa.thathas no power. Yet even when they are demonstrating it, I can hear the head voice creeping inâ€¦.haaaâ€¦.haaaaâ€¦.as they're trying to demonstrate the falsetto. So that's kind of my point that, that thehead voice or the falsetto is a breathy head voice. So I don't understand why it hasto be called a different sound. It, it, I know, uh, it was named a falsetto becauseit means false voice in. it's Italiané It's a false, false voice. That's why,the term falsetto. But when people are demonstrating it, it soundslike a breathy head voice. Or, is there such
a thing thené Is there a breathy head voiceéAnd if not, then, why isn't there a breathy, why isn't there a breathy head voiceé There'sa breathy chest voice. Hmm, that should be called.falsechestoé Probably the vocal foldposition is different than the, than a, uh, full tone chest voice. Ahh. Ahh. Ahh. Ahh.Sounds pretty different to me, but uh, why isn't it called falsechestoé For the same,for the same reason, in that it has more air coming out. Actually, in terms of voice training, to me,it doesn't matter. There is a purpose of how it can help you. Just noticed my computerwas. doing some research on this.on some
subjects that I could talk about. Uh. Anyway, it, uh. is it important to know whatvoice that you're usingé Uh, no, it's not. What's important is to know that, thedegree of breath that you have in your voice at any given time.Because.why is it.why is that so importanté Other than it sounds differenté It's important because.the more.becausethe higher the volume of air.that's the scientific term for amount of air that'scoming out. Always, there's some confusion a lot of times between velocity of air, whichwe love. Velocity is the speed of the air