How To Sing Like Your Favorite Artist pt2
Hello, and welcome. I'm Ryan Higa, professional singer and vocalstiloligerizerist. You might remember me from How To Sing Like Your Favorite Artist part 1. Well this one's completely different. It's not as good. With that being said, welcome to How To Sing Like Your Favorite Artist part 2. Remember that scary movie quot;The Grudgequot;é Make the sound that the little girl in quot;The Grudgequot; makes.
(groaning) Just sing like you normally would sing. â™ª When I met you in the summer! â™ª .and add the little Grudge girl sound. â™ª When I met you in the summer. â™ª â™ª To my heartbeat sound. â™ª â™ª We fell in love. â™ª â™ª As the leaves turned brown. â™ª
grunting noises In order to sound like The Weekend, you have to literally make your face frozen to the point where it's numb and you can't feel it anymore. â™ª I can't feel my face when I'm with you. â™ª And once you get the frozen face down, all you have to do is act like you're sad and depressed.
â™ª I'm just tryna get you out the friend zone. â™ª And if people can't hear you, just use a megaphone. â™ª I only call you when it's half past. â™ª In order to sound like Fetty Wap, just sing as if you just got hit in the nuts. Or for girls to relate, just make the sound you make when you cut wind. You know, when you get the wind knocked out of you, you make the sound that's like stressed inhale and then just sing like that. Fetty Wap.
Auuugh! â™ª Baby won't you come my wayé â™ª grunting You know when you're yawning and you still try to talk; that sound it makesé yawning All you have to do is sing, while you yawn. yawning â™ª You and me we made a vow. â™ª
â™ª You say I'm crazy. â™ª â™ª And you don't think. â™ª laughing You know when you're a little kid where you're on the verge of crying but you do your best to try and suck it upé You know, the borderline where you're trying to fight back your tears, because you know once you start crying, you're not gonna be able to stop.
Beginner Singers I Feel Your Pain What Learning Guitar Taught Me About Singing Felicia Ricci
Today's tutorial is all about how I'm trying to learn guitar and it's so hard and how it's making me appreciate what it's like to be a beginner singer. It's like, I mean, I've been singing for so long that I haven't been a beginner singer in many, many years. But now, I'm trying to learn an instrument that a lot of it is similar to voice. It's giving me new insights into what makes a singer successful when they go to start learning. So this tutorial is basically my best tips and takeaways from struggling to learn the guitar that's gonna help you and your singing practice whether you're a beginner or whether you're just continuing to grow your voice.
What are the approaches and the mindsets that are gonna lead to the most progress in your singing. Stick around! Hey, in case you don't know me, my name is Fel You can call me Fel, too. And this is my channel. I do singing tips all day. The first bit of advice I have for you that is really obvious but which I'm learning so intensely
as I'm learning guitar is that progress takes time. Now with the way I teach singing is that I'd like to give you cues and tips that give you results right in the moment righté We can make adjustments that a lot of times help right then and there but in terms of internalizing it and really getting it into your body and committing it to muscle memory that's where the time and the practice has to come in and it's just the kind of thing that I'm just relearning it in such a humble way. I'm like â€˜oh' (plays the guitar)
it literally will take me just a lot of time learning how to move my hand and learning how to move my other hand while I'm playing the guitar. The same goes for singing, if you're learning a new scale I can give you really good adjustments. You can understand it intellectually and then you can go to execute and get it a few times in terms of really learning it. Really committing it to that muscle memory. (plays guitar)
It's just gonna take time and consistency. And the way that I approach that is I think it's better to practice every day for about 15 minutes shooting for small windows of time everyday rather than practice once a week, once or twice a week for say an hour. Remember, it's a marathon not a sprint. And I've been putting it to practice with my guitar playing and on the days where I can only put in a little bit of time it really helps cause I see it carry over into the next day.
And that's really the best way to build up that muscle memory. My second bit of advice is similar and really builds on number one which is that sometimes you just need to sleep on it. A lot of times when we're working on like a new chord or a new fingering configuration and my hand would just start to look like a monkey's paw and I'll just feel like, completely like, just deformed over here. And I'll realized that I'm just completely exhausted and that no amount of effort is gonna really help me at this point.
How To Sing And Play Bass Tutorial
Hi I'm Curtis Freeman for Metalworks InstituteBass Tips. This is an exercise on singing and playing. Bass has a bad reputation ofbeing the hardest instrument to sing along with and I'll give you a couple reasons why.You're never singing the same rhythm that you're playing, and you're never singing thesame notes that you're playing, so that makes it harder. And when you're playing a pianofor instance or a guitar and you're singing, I compare it to bumper bowling. You have thebumpers in the gutters, and you can't really hit a bad note almost. When you play a chord,the note you have to sing is encompassed in that chord. But with bass, it's more likea 2dimensional drawing as opposed to a 3dimensional
drawing where you have this going on and you'renot ever playing or singing at the same time. So here's a couple ways to knock that down.When you're playing a bass line and let's pick some really popular bass lines, so theseare songs that you've heard before, so you know that we're not just making up exercisesto try that aren't practical in the real world. And put up with my singing voice for a second.I sing in bands all the time and I just started as the bass player singing a couple tuneshere and there. So if I can do it, you guys can do it. Let's do Billie Jean. That's acomplex bass line, and sometimes you get scared away from a complex bass line, but if youthink about it, this bass line We have these
eighth notes going on, so basically it's liketapping your foot. So you don't have to worry about the rhythmic aspects of that. That'snot going to trip you up. So what you want to do is play that bass line over and overand over again and have that part of your conscious, and that's like tapping your footbecause the rhythm never changes. Very steady. And then it gets to the course, that's justplaying big whole notes, so that's good too. Another song, popular tune to do, The Beatles,quot;Saw Her Standing Therequot;. quot;She was just seventeen, you knowquot; You've got to shake your head too,like Paul McCartney. Something like that is all sixteenth notes. The same. So it's fillingin all the spaces, and it's actually giving
you a good groove to sing over. So what youwant to do is get the bass line down and feel the rhythm of that, and that should be reallysteady and really solid, and your vocals need to the have the chance to have the expressionin that, and so the vocals will play different rhythms while the bass line's staying verysteady. You want to be able to be expressive. Now there's some bass lines, let's do anotherBeatles one. Here's a famous bass line for quot;Come Togetherquot;. quot;Here come old flat top hecomes grooving up slowly, he's got quot; and on and on. So something like that, there'smore rhythm to that, so it's not really just constant There's rhythms to it. You wantto think of these kinds of lines more, and
they'll take more time to practice and getdown. Think of a piano player who has to play a bass line in his left hand and a melodyin his right hand. They're going to be happening at different times, so you might think ofwhich notes hit at the same time, and which notes hit in the spaces. You want to do thesame with your singing, so if there's a bass part that hits first, then sing in the space.I'm Curtis Freeman. This is Bass Tips for Metalworks Institute.