How to Sing Valerie Amy Winehouse Cover Tori Matthieu Ken Tamplin Vocal Academy
Hey guys welcome back again to Ken TamplinVocal Academy, where the proof is in the singing. I'm here with my amazing student, Tori Matthieu,and we're doing takedowns of different songs today. We're going to do Amy Winehouse.The song's called Valerie. We'll do it first. We'll talk about it after, likewe always do. Let's rock! Amy Winehouse. Whooh! Nice job, girl! Man, that was good.Thank you. All right, so basically, we're doing a lotof different stuff, from Alicia Keys, Stevie Wonder, Amy Winehouseâ€¦ And what's interestingabout this is not so much that we're just doing a bunch of cover songs, but it's howTori finds herself in the song, and actually
represents that art with her own touch, herown flair, but to be able to sing in a lot of different styles, because what this doesis to give you a lot of tools for your toolbox for singing. So, we're going to be working upon, actually, some original material, too, so be watching out for that. Anyway, this is KenTamplin Vocal Academy. If you like what you see here, please like and subscribe to mytutorials. Also, I have a killer course, you can check it out here. It's called â€œHowTo Sing Better Than Anyone Elseâ€� and I have a singer's forums. It's free. There areover 6000 members you can join at Ken Tamplin Vocal Academy, and just come by and say hi,and get your vocal questions answered. So,
until next time, Tori Matthieu, Amy Winehouse,Valerie, and Rock!.
Jazz Piano Lessons in the Key of C Major Chord Progressions for Jazz Piano in C Major
Now we are going to show you some more righthand stuff for the key of C. We are going to go back to the major progression doinga 1, 6, 2, 5 and we are just going to really focus on the right hand. Now when you aregoing to make melodies, it is all about space and timing so see I have the same quality but it is looping.Leave a little space, a little more space and it is the space and time you get in betweennotes that really gives the importance. Now here some people who try to improvise andah and it is lot of notes and it sounds nice but there is no umph to it. You know it doesn'thave the soul so you want to really the more
simple you can make it the better. A littlechromatics there. I like to use a lot of pentatonics too which is 1, 2, 3, 5, 6 gives it that nicehappy overtone. You can put flat third in there, Blues note. So in the key of C, youcan see the Blues notes are these notes right here. It's half of the root of 2 and the bottomof the group of three.