Singing Lessons For Beginners The 5 Laws Of Singing Learn Singing with Ken Tamplin
Hey, Guys! Ken Tamplin from Ken Tamplin VocalAcademy and I'm here to talk about the Five Laws of Great Singing.First: SUPPORT. What is thaté Everyone talks about support. â€œDiaphragmatic Supportâ€�.It's actually your whole abdominal cavity, not just the diaphragm, and it's when wetake a breath, we take a breath like this: Our stomach, when we take a breath in goes(stomach comes out). When we breathe out, we push down, kind of like we're going tothe bathroom. . or doing a situp. Let's do it againâ€¦ inâ€¦ outâ€¦ and we push down.And we use this as the engine that drives our â€œcarâ€�. It's the most important part, which is Diaphragmatic Support, or Abdominal
Support. Second: Vowel Placement. The ONLY sound thatTruly Grows the Voice is a Bright Ping, or a Bright Timbral Sound. It's not â€œhuuuuuh,huuuuuhâ€� or a froggy sound. It's a real bright AH! It's the LAH!! AH!!! Like the wants to see your tonsils in the back of your throat. So the throat should be OPEN.It's called Open Throat Technique. And the tongue should be completely flat to the baseof the jaw, to keep any stricture away from the back of the throat, like this. â€œLAAAAAAAAAAAAAAAH!â€�So that you can tell â€œLAAAAAAAH!â€� that it's completely open, it's very bright,and that brightness, or that PING is truly
the only real sound that grows the voice.Third: Air Management or Breath Management, Breath Control. I'm not going: â€œHAAAAAAAAAAAAAA!â€�and killing you with sound. I'm controlling my air, I'm using my diaphragm to do allmy work, it's the engine that drives my car, and I'm holding back my air and lettingresonance take over because my wellplaced vowel sound of â€œAHâ€� the way I just didit, â€œLAAAAAH!â€� is able to resonate and relax into the sound.Fourth: Stress Management or Stress Relief. I didn't go â€œLAAAAAH!â€� I don'tfreak out and actually close down on my body and tense up. What I do is I relax to thesound. â€œLAAAAAH!â€� I relax to the sound
so that I can use my diaphragm to do all mywork for me. It's my muscle, the engine that drives my car, that relaxes this openthroat technique. Finally, Fifth: The Psychology of Singing.If you freak out, and you worry about the high note, because you don't know how toget there. It has to do with the way you relax and think about the notes themselves, in orderto be able to get into good vowel placement, and understanding how to build chest, headvoice, and a mixed voice inbetween, to get you through the passagio, which is the passageway,from â€œLAAAAAAAAAAHâ€� to get through that passageway to provide you the ability to singseamlessly, endtoend, with a lot of notes
that you can control if you apply these factors.Thank you for joining me.
How To Stop Voice Cracking Now Singing Lessons Ken Tamplin Vocal Academy
Stop cracking when singing! How do we do thatéHey guys, my name is Ken Tamplin, from Ken Tamplin Vocal Academy, where the PROOF isin the SINGING! Now, wherever you get your information from,it's important to ask yourself two very specific questions. And the first thing is:the person giving you the information, can they demonstrate it themselves, and demonstrateit well, and do they have students that demonstrate what they're teaching to prove out that whatthey're telling you is the truthé Here at Ken Tamplin Vocal Academy we have over 300tutorials, with dozens of students demonstrating and proving out what we teach, to give you honest, legit information.
With that said, how do we not crack when wesingé Well, why do we crack when we singé I think that's the biggest, most importantquestion. And, to answer that, there's many reasons, but there's two big reasons, andthe first one is physiological. There is a physical strength training of building upto a certain point so that we're strong enough to be able to hold a note. There'sa second part too, which is psychological, which has to do with nerves, and being afraidto sing in front of someone, or being afraid of the high note.Now, I have a singing course called How To Sing Better Than Anyone Else, at Ken Tamplin Vocal Academy , where I walk you through,
stepbystep, all of these different things,on how to strength train, how to think about the notes psychologically so you're notafraid of the high notes or you're not afraid of an audience. I also have some cool tutorials.Check out my Fear of Singing tutorial, it's on YouTube, you'll like that.But the first thing is, I want you guys to go refer back to my tutorial called DiaphragmaticSupport. We're going to do a couple of scales here. I want you to do them with me, but youhave to know how to control your diaphragm first, to be able to relax the chest, and theneck, and the throat, so that you are not choking off the cord, and panicking by thetime you get there, whether you're holding
a note, or worried about singing a high note, or just a phrase that's a little hard to sing. We're going to do three vowels: ooh, oh, and ah. And it's going to go like this.Now, guys, I'm going to do this in a lower register, for the mean average of where mostguys are. Ladies, you'll do this up an octave. La ah ah ooh, oh, ah, ah, ah, ahâ€¦You want to feel the freedom in the throat and the strength in the abdomen, because youknow how to control abdominal strength. Now, in the back of the throat I have another componenttutorial that goes along with this, called Open Throat Technique, where you want to have theback of your throat stay completely open,
your tongue dropped to the base of the jaw:Aw, Oh, Ahhhâ€¦ To where you create the maximum amount of space in the throat, to relieveany kind of tension that could take place there at all.La ah ah ooh, oh, ah, ah, ah, ahâ€¦ Feel the strength coming from your diaphragm.It's the engine that drives your car. La ah ah ooh, oh, ah, ah, ah, ahâ€¦La ah ah ooh, oh, ah, ah, ah, ahâ€¦ La ah ah ooh, oh, ah, ah, ah, ahâ€¦La ah ah ooh, oh, ah, ah, ah, ahâ€¦ Now, if you notice, I'm not going â€œoohoh ahâ€� (distorted and strained) I'm not straining in my throat, becauseI know, I've played this tutorial game enough
to know when I'm coming around the cornerand I lose a life from some bad guy that gets me, that if I have strength in my abdomen,and I've learned how to relax my chest, my neck, and my throat, I know how to getto the next level. So, I cover all of this in my singing course called How To Sing BetterThan Anyone Else. Now, there's one more really important thing,and that is the psychology of how we get to those notes. Now, there's something calledvowel modifications. And in those vowel modifications, we want the throat to feel the path of leastresistance. We don't want the throat to go ooh, oh, ah, and have big changes in thethroat. We want the vowels to be very similar