How To Sing Better Tips To Learn How To Sing Better Today
How to Sing Hi. My name is Aaron from Superior SingingMethod and in this tutorial, I want to talk about how to sing. OK. How to sing, kind of a broad topic butI'm going to narrow it down. At the end of this, I want to give you a really good exercise,one of my favorite exercises that will get you a little farther down the road of actuallyhow to sing. But let's talk for a minute about how to sing. What does that even mean to learnhow to sing and sing betteré I break it down into sometimes three, sometimes four differentcategories but I will give you four right
now. Learning how to sing is learning the instructionpart. So right now, this is part of the instruction. I'm going to give you that vocal exercisebut just to give you a little bit of instruction about the voice and how it works and how singingworks because the more you know about the voice and how the voice works when it comesto singing, the more you can apply these techniques and concepts to singing and to the exercisethemselves to start shaping your voice the way you want it to be so you have the besttone, the most resonant, full kind of sound. You can hit the high notes, all that kindof stuff.
So instruction is the first part. The secondpart is then I guess kind of obvious is the exercises. You got to have the exercises becausethe exercises are just like the rest of your body. You need to work out, exercise to keepin shape and to be able to make your body do the things that you want it to be ableto do to have the flexibility and the strength to do what you want to do. Third one is systematic. Learning singingsystematically is really the way to go. The link below is I have an eightweek systematicprogram that you can check out at some point but I believe that systematic is the way togo because you learn the right thing at the
right time and you're not only systematicallydoing the exercises but you're also learning the things in the right order and doing thingsin the right amount of time and repeating there's a lot of repetition which leads meto the next one and that's just being consistent. Use the repetition to consistently build andbuild and build your voice. So those are kind of the four main thingsand just along the lines of that last one, the repetition is I know that's kind of thedifficult part, righté I think we live in a culture that we don't want to do thingsover and over and we don't want to like work really hard to get to things and I get thatand with these tutorials, my point and my goal
is get you singing as good as you could possiblysing as fast as possible for sure but it does take repetition and it takes time. As youdo the exercises, this one that I'm about to give you and other exercises of courseyou need a variety of exercises but this is a really good one. It's not just going to take once and you'regoing to sing better. You know that. Intuitively, you know you're not just going to get betterby, Oh, do this exercise for 10 minutes and I can sing better. But if you do it this consistentlyfor two or three days, a week, two weeks, those kinds of things, you will start it'snot like all of a sudden you will be like
the greatest thing in the world but you willnotice a marked improvement in your voice. You will see improvement and that will encourageyou to be more consistent and get more instructions. Do more exercises. Do the systematic thingand the consistency and repetition. So what I want to talk to you about today,the instructional part, and this is all instruction but the instruction part of the actual voiceand how it works. What I want to talk about is the larynx. This is one of the problemsthat most singers have is that when they go to sing high notes, what they're doing isthey're raising their larynx up. Maybe you do this as well. When I'm not paying attentionand I'm singing, sometimes I still even do
Tyshan Knight How to sing Runs and Riffs EASY
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How to Do Riffs and Runs With Your Voice Felicia Ricci
Hey friends, today we're going to be talking about riffs and runs. (vocalizes) And I'm going to give you three strategies to ensure that your riffs are clean, supported, and just sound really cool. Now admittedly, I'm not the best riffer in the world but through my struggles I come up with some really, I think succint and helpful approaches that are gonna get you to break through some of those technical walls. So quick intro, my name is Felicia.
You can call me Fel. I'm a professional voice finder, I help you find your voice. By linking your mind to your body and giving you the simplest and most potent cues that are gonna give you real results for your voice fast. Reusing the imaginary riff that I made up, it goes like this: (riff sound) Okayé So.
(riff sound) Okayé That's just whatever. I'm just basically breaking down the principles of riffing that make it successful and how you can sort of achieve them yourself. So the first principle that makes riffing possible is that when you're riffing, you're using a very small amount of vocal chords. It's a very small feeling and it's basically if you, the way your voice works if your folds come together like this when you sing (both pink fingers closing and opening as example).
And when you riff, you use the inner most part of your chords and that's really the most agile part of your voice and that sort of allows you to kinda dance along the tops of the notes. (riffing sound) It's like very light versus (riffing sound) versus a sound that's very big and uses a lot of chords. So in order to make that focused feeling of using a smaller amount of chord easier for you,
it actually helps to practice your riffing on narrow vowels. A narrow vowel would be like an 'e' or an 'ohh' versus something like an 'ah' or an 'uh'. If you try your favorite riff on an 'ah' (riffing sound) Now that's achievable. But it's a lot harder to start there, so I suggest you take your favorite riff and you create an 'ohh' sound. Now as you do that 'ohh', make sure you're kinda laughing or yawning on the back of your throat
but you're funneling it forward and what it helps to do is just reinforce that feeling of a narrowfocused sound, and then on top of that, I want you to keep it very small and soft. (riffing sound) It's just a lot more achievable. So what's the baselineé Now, when you're using the small amount of chord what's also happening in a successful riff is that