How To Sing Like Your Favorite Artists
Welcome. I'm Ryan Higa Professional singer and vocal stiloligerizerist and today i'm gonna be teaching you how to sing like some of your favorite artists. As much as you think you can't sing or as much as you know you can YOU CANT YET but by the time you finish this tutorial with enough work and effort in ONE DAY you might be able to sound like. THIIIIIIIIIIIIIIIIIS!!!! Not one lesson (guitar music)
The first artist you're gonna learn how to sound like Think of every tough guy you've ever met with a big ass chain. Now double that! That's how tough you gotta be when you rap like 2 chainz Once you've got that down all you have to do is rap about all things that are plainly obvious She got a big booty so I call her quot;big bootyquot; Or a line like this I'm in the kitchen. Yams everywhere Or.
All I want for my birthday is a big booty ho Yes those are actual lyrics from his song quot;birthday songquot; But really once you perfect your 2 chainz you can do it with anything I like this lamp yo that's why i purchased this lamp I'm in the kitchen. Not anymore All i want for my birthday is a big booty hole Oh! Gotta poop Gotta poop right now
Jt like to sing high so the technique here is simple you just have to grab your nuts hard. hard as the can I (grabbing those nuts hard) can't wait till I get you on the floor good lookin. HOW! AH! To sound like Nikki Minaj is simple all you have to do is rap while you're slowly leaning back on an excersize ball I said quot;excuse me you're a hell of a guy. I mean mymumumy you're hell a fly I mean you're so shy and i love you to tie just look at the guy when I think of his eyequot; ugh! So you wanna sound like beyonce.
Probably can't. It's a natural god given talent Just try to sound overly sexy almost to the point where it sounds like you're gonna cry but you don't As long as you love me Just pretend you're a good looking British singer and duplicate yourself Everyone else but you two! Lets see I'm probably gonna need about one two three.four more people for this part so. (duplicates) You guys readyé Five six seven eight Remember that when you are feeling sad
Just sound really lazy like you don't even feel like rapping today STARTED FROM THE BOTTOM NOW WE HERE! Lazier! Much lazier than that! Started from the bottom now we're here! LAZIER! Started from the bottom now were here Look your alarm clock just woke you up at 6:00 am morning and now you have to go to school Started from the bottom now the whole team here
Ep28 How to Sing Falsetto vs Head Voice
A common question my students often ask whenthey're singing, is quot;Is that head voice or is that falsettoéquot; Inside this tutorial, I'llshow you the difference between falsetto and head voice so you'll know how to sing withboth to choose the best for your songs. Hi, I'm Chuck Gilmore with Power to Sing. Thedefinitions of falsetto and head voice often disagree. I define them based on the conditionof the vocal cords. Are the vocal cords connected or disconnectedé When your vocalcords are disconnected, you are in falsetto. Here's a slowmotion tutorial found on of the vocal cords disconnecting. This is a scope of voice artist Mal Webb from theUK. In this tutorial he's making some unusual
sounds. eeeeeeeeeeee You can see and hearthe vocal cords suddenly breaking apart. This is falsetto. While in falsetto, you cansee the edges of the vocal cords are barely touching as they open and close. With falsettoa lot of air passes through the cords. ahhhhh Because they're in falsetto, there's littleto no resistance to the air pressure from the lungs. You can sing high very easily infalsetto. ahhhhhhhh You can also bring the falsetto voice down quite low like this. ahhhhhhhSome singers can bring falsetto all the way down to where you would normally sing in chestvoice. Falsetto will not blend into the chest voice. In order to get back into the chestvoice, the vocal cords have to reconnect.
This usually involves a 'break' type feelingback into a connection. ahhhhhh For men singing in falsetto there's a significantloss of the lower overtones of the chest voice. I compare it to my Minney Mouse voice. HelloHello. My name is Minney Mouse. For women, there is a loss of the lower chest overtonesin falsetto voice as well. This can result in a breathy, airy tone quality. Also, ifI try to lean into my falsetto by increasing the volume and air there is little to no resistance.In fact, it seems to blow the cords further apart. ahhhhhhh Finally, there is some opinionthat years of singing primarily in falsetto is a leading cause of the 'vocal wobble' asyou get older. Because the vocal cords have
lost their ability to adduct firmly. How canyou tell if you are in falsetto and not head voice when you're singing on high pitcheséIf you can descend the scale and sing into your chest voice without reconnecting, thenyou are in head voice. ahhhhhhh If you can sing down the scale into chest voice and youhave to reconnect, you are in falsetto, because falsetto will not blend into the chest voice.ahhhhhh Some singers can disconnect into falsetto on high pitches. If you can disconnector flip, then you were in head voice. That is, your cords were connected. I can't dothat after a certain pitch, so that doesn't work as a test for me on higher notes. Itmight work for you. How to sing in head voice.
When your vocal cords are connected you areeither in chest voice or head voice. Your lower pitches are your chest voice and thehigher pitches are your head voice. Confusion between falsetto and head voice often occurswhen we are singing the higher pitches. This is because on the higher pitches the resonancefor both falsetto and head voice vibrates in our heads. ahhhhh Falsetto ahhhhh Headvoice Both resonating in the same place, the head. The difference is with head voice theresonance is made with connected vocal cords. In contrast, the resonance created by falsettois made with disconnected vocal cords. Both resonate in the head cavities. But the vocalcords are different. Whether connected or
disconnected vocal cords, on higher pitches,they both resonate in the same place. In head voice the vocal cords vibrate in a deeperfashion. That means they're opening and closing more firmly from bottom to top. This is trueeven more in chest voice. In head voice you can control the amount of air that is beingresisted by the vocal cords. You can be resisting very little air. ahhhhhhh I'll add a littlemore resistance to that. ahhhhh If I were in falsetto, it's a little harder. ahhhhhhhIt kind of blows the cords apart. ahhhhhh With my head voice I can get a little morepurchase with my vocal cords. Because your vocal cords are connected you can easilyadd more resistance to air by closing your
How To Increase Vocal Range For Males Part 1 Ken Tamplin Vocal Academy
Hi, Guys. Ken Tamplin from Ken Tamplin Vocal Academy, and I'm going to teach you a little bit about the voice, and voice lessons today. This is part 1 in a threepart series onHow to Increase Vocal Range for Males How to Increase Vocal Range, or How toImprove Vocal Range Well, that's a big subject, and there's a lot ofinformation floating around there that can be very, very confusing, and I'd liketo demystify this for you a little bit. There's really only one way to safelygrow your range, or improve your vocal
range, and this is how: First we have twocomponents: We have something called our quot;Chest Voicequot; and something called ourquot;Head Voicequot;, which is also interchangeably called quot;falsettoquot;. I don't want to go intoall the details, because some of these definitions can mean different things todifferent people. One person might call head voice quot;HEYYYYYYquot; or anything that resonates in the headwhile another person might call head voice quot;eeeeeeeeeeeequot; or anything thing that resonates in a falsetto register. So for my purpose, I'm going to use the term quot;head voicequot; to talk aboutreinforced falsetto, not just something
that resonates into the head, as whatclassically is termed quot;head voicequot;, OKé Now, So we have chest voice, and what we want to do is, we want to stretch and grow our chest voice as high as we can. Now, I cover this in my quot;How To SingBetter Than Anyone Elsequot; course, where first we stretch and grow a big,powerful, robust chest sound, and I'll demonstrate, let's do this together, witha nice, bright, quot;AHquot;, males, you're gonna start here, ladies, you're actually gonna be upand I'll show you where you would come in, in a minute. But we're gonna start with an quot;AHquot; vowel. Let's go: quot;Lah, ah, ah, AH, ah, ah, ah. Nice, Bright, Open Throat, where if you had a mirror you could look back in your throat
and your tongue will be dropped to the base of the jaw,and you're creating the maximum amount of space in the back of your throat, withgood diaphragmatic support, and relaxing and not letting the shoulders, the chest, neck, or throat create tension. LAH, ah, ah, AH, ah, ah, ahhh. Now, for most baritones, and high baritones, this is about the breaking point for you, where you feel so much quot;tugquot; in the throat, where you want to transition from your chest voice and quot;flipquot; into your falsetto. Now, ladies for the Alto and Contraltos, most of you start here. Lah, ah, ah, AH, ah, ah, ahhhh. Now ladies, most of you start to feel the tugaround the quot;Cquot;, the quot;high tenor Cquot; or
the D, and that's the D5, or the C5, the beginning of the C5 that's the highest note in the tenor range, or quot;one of the highest notesquot; in the tenor rangethe tender age of one of the highest in the tenor range is about where you startto feel that tug, where you wanna flip into your head voice. So what we do is we useour diaphragm and the strength in our abdomen, to relax our chest, our neck, and our throat, to have that nice, bright sound, with that Big Open Throat we just talked about, where the uvula and the softpalate in the back of the throat rises as we start to ascend these scales. Thisconcludes Part 1 on How to Increase Vocal Range for Males. Don't forget towatch Part 2.
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