How To Sing Like Your Favorite Artists
Welcome. I'm Ryan Higa Professional singer and vocal stiloligerizerist and today i'm gonna be teaching you how to sing like some of your favorite artists. As much as you think you can't sing or as much as you know you can YOU CANT YET but by the time you finish this tutorial with enough work and effort in ONE DAY you might be able to sound like. THIIIIIIIIIIIIIIIIIS!!!! Not one lesson (guitar music)
The first artist you're gonna learn how to sound like Think of every tough guy you've ever met with a big ass chain. Now double that! That's how tough you gotta be when you rap like 2 chainz Once you've got that down all you have to do is rap about all things that are plainly obvious She got a big booty so I call her quot;big bootyquot; Or a line like this I'm in the kitchen. Yams everywhere Or.
All I want for my birthday is a big booty ho Yes those are actual lyrics from his song quot;birthday songquot; But really once you perfect your 2 chainz you can do it with anything I like this lamp yo that's why i purchased this lamp I'm in the kitchen. Not anymore All i want for my birthday is a big booty hole Oh! Gotta poop Gotta poop right now
Jt like to sing high so the technique here is simple you just have to grab your nuts hard. hard as the can I (grabbing those nuts hard) can't wait till I get you on the floor good lookin. HOW! AH! To sound like Nikki Minaj is simple all you have to do is rap while you're slowly leaning back on an excersize ball I said quot;excuse me you're a hell of a guy. I mean mymumumy you're hell a fly I mean you're so shy and i love you to tie just look at the guy when I think of his eyequot; ugh! So you wanna sound like beyonce.
Probably can't. It's a natural god given talent Just try to sound overly sexy almost to the point where it sounds like you're gonna cry but you don't As long as you love me Just pretend you're a good looking British singer and duplicate yourself Everyone else but you two! Lets see I'm probably gonna need about one two three.four more people for this part so. (duplicates) You guys readyé Five six seven eight Remember that when you are feeling sad
Just sound really lazy like you don't even feel like rapping today STARTED FROM THE BOTTOM NOW WE HERE! Lazier! Much lazier than that! Started from the bottom now we're here! LAZIER! Started from the bottom now were here Look your alarm clock just woke you up at 6:00 am morning and now you have to go to school Started from the bottom now the whole team here
East Carolina University Summer Guitar Festival
Kelly Mc: In the heart of East Carolina University'scampus, in the heat of summer, come guitarists from all over America. For four days, theyimmerse themselves in classical guitar. You find excellent guitarists seeking lessonsfrom EVEN BETTER guitar players Natural Sound: Relax. Figure out what's creating that tension Elliott Frank The only real requirementis the desire to learn, or learn more about, classical guitar. So, even if you have playerswho don't play at all, if they want to learn, I can find them some instruction Kelly Mc: Elliot Frank hosts the ECUsummer guitar workshop. It's really a festival.
The students range from middle school to middleage. Kelly Mc: from expert player to selfdescribedamateurs like Florida resident Mike Salmon. Mike Salmon When you're not a professional musician andyou don't practice seven hours a day, it takes a full year to integrate the information froma single lesson like this. Kelly Mc: The workshops are organized so the students face the music,their teacher.and their classmates. Elliott Frank: if you play close attention,you can pick up a lot of stuff from watching somebody else get taught. It's stuff you canapply to your own playing. David Asbury: In many ways, this is sortof a European model of teaching, what we'd
call a quot;master class.quot; And, there's more,I think, there's more pressure placed on the students, I think, because performance ispart of the process. Adam Kossler Being around great guitar playersis really inspiring and, I think, we're all a product of our environment and just beingaround great guitar playing for a week is really beneficial. Kelly Mc: Elliot Frank believes his guitarworkshops are still a secret, except that guitarists travel from everywhere to participate. Elliot Frank Texas, New Jersey, Ohio. Thefurthest I had somebody come from Taiwan
one year. Kelly Mc: Thirteen year old Nolan Harvel travelsfrom Nashville, Tennessee. Nolan Harvel When I was nine, I switchedto classical because I just fell in love with the instrument. It has a beautiful sound.It's elegant and gentle and it's fun, too. So, it's very fun to play. NOLAN PLAYS CLASSICAL GUITAR Elaine Harvel I attribute cominghere and just having so much knowledge given to us in, like, a five day period. It justopened my eyes to so many things. It's like,
quot;Oh! We ought to be doing this! We need tobe doing that!quot; It was just incredible. David Asbury: Playing in front of people makes you feel a little bit anxious. Elliott Frank: I go out of my way to chooseprofessors and instructors who are not intimidating. It's just.there are guitar professors guitarteachers who do that. There is that way Elliott Frank You can deliver criticismin a manner that's not going to crush somebody. You can show them. You're here but you reallycan get quot;therequot; and get better. Adam Kossler: You have this very nice dynamic contrast. You're doing everything it says to do. You can learn enough here to haveenough to go home and work on for a year. Here's an information gathering, kind of a come here, take a bunch of notes, soak a
bunch of stuff in, go home and work for ayear. Kelly Mc: And the next year will be here before youknow it. And so will the Elliott Frank's summer guitar workshop.
How to Write a Poem in Chinese Characters History of Longing of My Hometown in the Midnight Poem
ESTHERXIAOHUA LIU: This is a poem from TangDynasty even though Tang Dynasty is about more 1000 years ago, much more than that,but 1,500 years ago. But from this poem, we can see that those words used in this poemare as simple as the words we are using now, every day. So it is really good for us tolearn these words from this poem. And in China, even those little kids, they start to recitethese ancient poems at age about 3, 4, or even younger, because these poems, since theyuse the exactly the same number of words in each line, so it makes very good rhythms,and that music as we read in the previous poem, it's like SPEAKING IN CHINESE. Sosounds really beautiful.