Childrens Singing Lessons Liverpool

How To Sing Better Tips To Learn How To Sing Better Today

How to Sing Hi. My name is Aaron from Superior SingingMethod and in this tutorial, I want to talk about how to sing. OK. How to sing, kind of a broad topic butI'm going to narrow it down. At the end of this, I want to give you a really good exercise,one of my favorite exercises that will get you a little farther down the road of actuallyhow to sing. But let's talk for a minute about how to sing. What does that even mean to learnhow to sing and sing betteré I break it down into sometimes three, sometimes four differentcategories but I will give you four right

now. Learning how to sing is learning the instructionpart. So right now, this is part of the instruction. I'm going to give you that vocal exercisebut just to give you a little bit of instruction about the voice and how it works and how singingworks because the more you know about the voice and how the voice works when it comesto singing, the more you can apply these techniques and concepts to singing and to the exercisethemselves to start shaping your voice the way you want it to be so you have the besttone, the most resonant, full kind of sound. You can hit the high notes, all that kindof stuff.

So instruction is the first part. The secondpart is then I guess kind of obvious is the exercises. You got to have the exercises becausethe exercises are just like the rest of your body. You need to work out, exercise to keepin shape and to be able to make your body do the things that you want it to be ableto do to have the flexibility and the strength to do what you want to do. Third one is systematic. Learning singingsystematically is really the way to go. The link below is I have an eightweek systematicprogram that you can check out at some point but I believe that systematic is the way togo because you learn the right thing at the

right time and you're not only systematicallydoing the exercises but you're also learning the things in the right order and doing thingsin the right amount of time and repeating there's a lot of repetition which leads meto the next one and that's just being consistent. Use the repetition to consistently build andbuild and build your voice. So those are kind of the four main thingsand just along the lines of that last one, the repetition is I know that's kind of thedifficult part, righté I think we live in a culture that we don't want to do thingsover and over and we don't want to like work really hard to get to things and I get thatand with these tutorials, my point and my goal

is get you singing as good as you could possiblysing as fast as possible for sure but it does take repetition and it takes time. As youdo the exercises, this one that I'm about to give you and other exercises of courseyou need a variety of exercises but this is a really good one. It's not just going to take once and you'regoing to sing better. You know that. Intuitively, you know you're not just going to get betterby, Oh, do this exercise for 10 minutes and I can sing better. But if you do it this consistentlyfor two or three days, a week, two weeks, those kinds of things, you will start it'snot like all of a sudden you will be like

the greatest thing in the world but you willnotice a marked improvement in your voice. You will see improvement and that will encourageyou to be more consistent and get more instructions. Do more exercises. Do the systematic thingand the consistency and repetition. So what I want to talk to you about today,the instructional part, and this is all instruction but the instruction part of the actual voiceand how it works. What I want to talk about is the larynx. This is one of the problemsthat most singers have is that when they go to sing high notes, what they're doing isthey're raising their larynx up. Maybe you do this as well. When I'm not paying attentionand I'm singing, sometimes I still even do

Jrgen Klopp learns scouse from a kid BOSS THA

There's a lot of love for Jürgen Klopp out there right now because let's face it, he's boss! So it's about time that I went to Melwood to give him the Kop Kids treatment, I think I can teach him a thing or two. Hi Guten TagGuten Tag! Oh! Hi, nice to meet you. Would you like to sit down and have a chaté Yeh if you want.Thank you for being here, in my office (LAUGHS) Being a kid these days can be hard work, have you got any advice for me for getting through ité

My biggest advice, enjoy being a kid. It's a good time and maybe sometimes it's not the best thing to be nine years old but it's much worse to be 48 years old I can tell you so enjoyschool too, I've never missed one day in school is because I always thought Iwould miss something they will do something special at this stage so I wasever there now and it was a good time You've been in Liverpool for a couple of weeks now so how are you settling into your new surroundingsé Yeh Liverpool is much more beautiful than I thought, good place, nice people. Yeh best city in the world

(LAUGHS) Come on say it again! It's the best city in the world! (LAUGHS) That's a commercial for Liverpool, thats good. If you like I could teach you a few couse phrases that might come in useful Very very useful for me because if youspeak to scouse to me I'm off no chance ok So here's the first one. quot;Mi head's chokaquot; Mi heads chockaé. Headacheé

Well it just basically means that you can't think straight Ah my head is fullé Not my quot;miquot; Mi heads chocka. mm ok! The next one is. Givin it biftas (LAUGHS) It just means basically trying your best. Givin it, and biftas is for besté ah, biftas, and how do you pronounce thisé Givin it biftas!

Givin it biftas! And to smile like you. (in scouse accent)Givin it biftas! Oh my, it looks like the name of thesnake. Ok. gorra, gorra cob on Brilliant! Brillianté Yes. Well basically quot;gorra cob onquot; it means your just not happy If I'm not not happy I say quot;Gorra cob onquot;

(In scouse accent)Gorra cob on And there's the final one Boss ThaBoss tha. Hello bossé No it basically means that its just really good Boss is ahhhh yes. I heard about it.That's boss tha! Aah! And now I'd like to set you a challenge Nobody told me something about achallenge.

How to sing Musical Theater Singing Techniques

Today we are going to be talking about myfavorite genre and that is musical theater! Hi everyone this is Kerri Ho from thesongbirdtree Thank you so much for writing to me andrequesting some more tips on musical theater because I am such a musical theater freak,I'd be more than happy to do this for you. And I'm going to have so much fun making thistutorial, so thank you! Today I'm going to contrast 2 different stylesof musical theater and give you some tools so that you can apply it to your own musicaltheater performance. 1. The Contemporary Music Theater Sound Thisis characteristic of musicals such as Wicked

and Hairspray. The singers that sing withinthis musical usually will use more of a chest dominant mix. I'll talk a little bit moreabout that in a second. 2. More legit musical theater sound Thisis characteristic of musicals like Phantom of the Opera and The Sound of Music and inthese musicals the singers will usually sing with a much more head dominant sound. So letme show you practically how different they sound. With the Contemporary music theater genre,for example in the song Defying Gravity from the musical Wicked, this is the chest dominantmix that is used (Kerri singing)

And in the legit musical theater style, thisis more the sound that is used, and it's more of a head dominant mix, for example inthe song My Favorite Things from The Sound of Music (Kerri singing) How do we actually develop these differentcontrasting sounds for our own musical theatre performanceé I'm going to show you right now.Here's an exercise for you to practice to develop your chest dominant mix. When we talkabout a chest dominant mix, we're talking about a mixed voice that has more chest voicein it. Which gives it that powerful, loud, in your face sound. That most contemporarymusical theater songs are characteristic of.

Now here's an exercise I'm going to do, nowI need to say to you that before you begin to do any chest dominant mix exercises, youmust already have a very strong developed head voice. Because doing this prematurelybefore you've developed your head voice, it can result in you pulling your chest voiceup because you will not have had a strong enough head voice to mix your chest voicewith. So do make sure you do that, so if you haven't got a strong head voice yet, pleasego along to my tutorials on developing head voice and work on those first and when you havea strong head voice, then come back and do these exercises. Here we go, this is a reallygood one to develop your chest dominant mix

and it's about incorporating the call. Youknow when you call out to someone and you go hey! Hey you, stop! That kind of feeling,that's what I want you to think about when you are singing this exercises, don't thinkof it too much as being overly sung but more just called out. As if you're callingout to a person across the street. So like this, this exercise is heya (Kerri doingit) Okay with the chest dominant mix, you should be able toget up to about Eb 5 but feeling very very comfortable, if you're feeling yourselfstraining, then you really need to go and

work on your head voice strengthening, justkeeping your throat open and the soft palate. Go and check out my tutorials on how to beltand also my tutorial on how to belt without straining. Now the 2nd style was the legit musical theaterstyle. Here's an exercise where you can develop a head dominant mix sound that is still groundedin your chest voice, so it got more head voice in it, that is why it's called a head dominantmix but there is still chest voice under guarded it is not completely head voice. We are notdoing like (Kerri singing) That is completely head voice and that isnot what we are going for. We're going for a head voice dominant sound that is underguarded in your chest tone (Kerri singing).

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