How To Sing Like Your Favorite Artists
Welcome. I'm Ryan Higa Professional singer and vocal stiloligerizerist and today i'm gonna be teaching you how to sing like some of your favorite artists. As much as you think you can't sing or as much as you know you can YOU CANT YET but by the time you finish this tutorial with enough work and effort in ONE DAY you might be able to sound like. THIIIIIIIIIIIIIIIIIS!!!! Not one lesson (guitar music)
The first artist you're gonna learn how to sound like Think of every tough guy you've ever met with a big ass chain. Now double that! That's how tough you gotta be when you rap like 2 chainz Once you've got that down all you have to do is rap about all things that are plainly obvious She got a big booty so I call her quot;big bootyquot; Or a line like this I'm in the kitchen. Yams everywhere Or.
All I want for my birthday is a big booty ho Yes those are actual lyrics from his song quot;birthday songquot; But really once you perfect your 2 chainz you can do it with anything I like this lamp yo that's why i purchased this lamp I'm in the kitchen. Not anymore All i want for my birthday is a big booty hole Oh! Gotta poop Gotta poop right now
Jt like to sing high so the technique here is simple you just have to grab your nuts hard. hard as the can I (grabbing those nuts hard) can't wait till I get you on the floor good lookin. HOW! AH! To sound like Nikki Minaj is simple all you have to do is rap while you're slowly leaning back on an excersize ball I said quot;excuse me you're a hell of a guy. I mean mymumumy you're hell a fly I mean you're so shy and i love you to tie just look at the guy when I think of his eyequot; ugh! So you wanna sound like beyonce.
Probably can't. It's a natural god given talent Just try to sound overly sexy almost to the point where it sounds like you're gonna cry but you don't As long as you love me Just pretend you're a good looking British singer and duplicate yourself Everyone else but you two! Lets see I'm probably gonna need about one two three.four more people for this part so. (duplicates) You guys readyé Five six seven eight Remember that when you are feeling sad
Just sound really lazy like you don't even feel like rapping today STARTED FROM THE BOTTOM NOW WE HERE! Lazier! Much lazier than that! Started from the bottom now we're here! LAZIER! Started from the bottom now were here Look your alarm clock just woke you up at 6:00 am morning and now you have to go to school Started from the bottom now the whole team here
Duke Senior Brings Music to Life
This is Duke University. One, two, ready go. It's a far cry from a performance hall witha packed audience. But something special is happening in thistiny room. When I printed out the score and it was allbound I definitely felt a sense of accomplishment. Duke University senior Harish Eswaran is majoringin music and biology. He's bringing his first largescale musical composition to life.
When everything comes together it's not justabout you and your part but you're contributing to this greater whole and you can kind ofappreciate it even while you're playing. Four other student musicians will help Harishperform his work at a future concert. He is making sure they know exactly how to playit. You basically have the melody for that partso everybody just come down there. You get to work with a lot of other musiciansin an ensemble to put a smile on other people's faces which is nice. Along with composing and directing.
This is the western violin so you need a chinrest and a shoulder rest. . Harish is playing two violins during theperformance, using them in two different styles. At age eight, he learned how to play bothtraditional western music and the classical tradition of south India, known as carnaticviolin. Violinists there would actually play whileseated and the way you learn music it's more of an aural tradition. Your instructor wouldplay a certain fragment of a melody from a song and you would try and imitate their inflectionsand their ornamentation. Now more sound. Dah dee dah DAHDAHDAH.
Harish's music professor, noted composer StephenJaffe, has helped him meld these two musical traditions into his own musical voice. That's it! Nice! So this is essentially a very unique projectbecause it allows Harish to explore the learning styles of two different musical traditionsthrough what he's learned as a composer. Duke's Vice Provost for the Arts Scott Lindrothis also a composer. He's been doing it since he was a teenager. There's a lot of kind of dogged persistence,playing something over and over again.
Lindroth explains composing's a timely processand it can take weeks, months or even longer to perfect a song. When I'm composing a piece, and working atthe piano, it's not like I'm sitting down and playing something fluently from beginningto end and it's just perfectly worked out in every detail. There's a lot of repetition. When you finally get the piece right, Lindrothsays there's no better feeling. Oh it's great! I feel like whew, saved it!And there's always a bit of a feeling of like you're trying to save the piece from disasterin some way or another.
That's it! For Professor Jaffe. Good! Good! It's exciting to guide a student through developinga song and then hear it all come together. When you hear it in the rehearsal it's likeit's live in color and they made the film just go color. It's really, really fun. Good, great! As Harish relishes the sound of his notesblending together to produce something never
How To Sing In Head Voice Singing Tips For How To Sing And Build Your Head Voice Part 1
Hi. This is Aaron from Superior Singing Method.In this tutorial, I want to talk about the head voice. OK. Head voice, this is part one of the headvoice. So we're going to do some intro stuff and then I'm actually going to give you anexercise at the end that will actually show you how to find your head voice because manypeople have difficulty finding their head voice and go there entire singing life withoutdiscovering how to get in head voice, believe it or not. So let's start with what is head voice. Howdo you even know if you're in head voiceé
One indicator is right now I'm speaking inmy chest register, my chest voice right now, and the way I could tell that is if I canput my hand on my chest I will touch my mic here. Put my hand on my chest. I could feelmy chest resonating or just vibrating. You can hear that. Well, you can hear that butyou could feel it resonating. With your head voice, it's not as much ofa vibration but if you put your hand on top of your head and you know it's like aaahhh.There's a little bit of kind of vibrating in your head. But if you don't feel your headvoice vibrating, the way to know you're in your head voice is by touching your chestput your hand on your chest and if it's not
vibrating, then most likely you are in yourhead voice. You could possibly be in your mixed, yourfalsetto. But for the most part, you will be up there in your head voice. So what ishead voiceé Like I said, it's one of your registers. It's one of your main resonators.Your head voice, your chest voice are your two kind of primary resonators. You have anotherthird resonator but that's for a different tutorial altogether. Your two main registers though, your headvoice and your chest voice. Your chest voice like I said or maybe I haven't said yet. It'skind of your deeper, more of the kind of fuller
sound. Your head voice is more aaahhh. It'slike a lighter sound but it's where your kind of higher notes are, those weird key. Butthat's where your higher notes are. So you want to be able to sing in your headvoice because a lot of people want to sing in their higher notes of course and yeah,I was going to talk a little bit about the mixed voice. But let me just say that whenyou're pure, pure head voice, you will be in there sometimes but you want to be kindof in a blend of kind of your head and your chest voice which is developing a good mixedvoice. But again that's for a whole different tutorial.
So how do you find head voiceé Like I said,it's difficult for people to find, so this is one of the tricks of how to find your headvoice and then I want to talk a little bit about what we're going to talk about in thenext tutorial. But your head voice, one good way to find it is make the sound like an owl.Hoo, hoo, hoo, hoo, hoo, hoo. Is that what an owl sounds likeé Hoo, hoo, hoo. Again that'sa little bit of my chest voice. Hoo, hoo, hoo, up there is where you find your chestvoice. It's those higher kind of lighter notes. Nowa lot of people ask me. In fact, I get this question all the time on my singing programSuperior Singing Method. I get this all the
time. How do I tell the difference betweenmy head voice and my falsettoé That's what I want to talk about in the kind of heartbeatof this head voice tutorial. I just want to encourage you that if you want to be a singer, it doestake some work. It takes some time. It takes some effort to learn the techniques and theexercise. I would just like to encourage you to do that to really go after your dream tobe a singer and if people have told you, you can't be a singer, I want to tell you thatthat's not true. No matter how much talent you're born with,whether it's a small or a big amount, you can learn how to sing and you can learn howto sing well. These techniques that I teach